English literature -- History and criticism; Literature, Modern -- History and criticism
She had stayed, in a humble capacity, for a week in the ducal household.
She had seen the troops of highly decorated human beings descending in
couples to eat, and ascending in couples to bed. She had,
surreptitiously, from a gallery, observed the Duke himself dusting the
miniatures in the glass cases, while the Duchess let her crochet fall
from her hands as if in utter disbelief that the world had need of
crochet. From an upper window she had seen, as far as eye could reach,
gravel paths swerving round isles of greenery and losing themselves in
little woods designed to shed the shade without the severity of forests;
she had watched the ducal carriage bowling in and out of the prospect,
and returning a different way from the way it went. And what was her
verdict? “A lunatic asylum.”
It is true that she was a lady’s-maid, and that Lady Dorothy Nevill, had
she encountered her on the stairs, would have made an opportunity to
point out that that is a very different thing from being a lady.
My mother never failed to point out the folly of work-women, shop-girls,
and the like calling each other “Ladies”. All this sort of thing seemed
to her to be mere vulgar humbug, and she did not fail to say so.
What can we point out to Lady Dorothy Nevill? that with all her
advantages she had never learned to spell? that she could not write a
grammatical sentence? that she lived for eighty-seven years and did
nothing but put food into her mouth and slip gold through her fingers?
But delightful though it is to indulge in righteous indignation, it is
misplaced if we agree with the lady’s-maid that high birth is a form of
congenital insanity, that the sufferer merely inherits the diseases of
his ancestors, and endures them, for the most part very stoically, in
one of those comfortably padded lunatic asylums which are known,
euphemistically, as the stately homes of England.
Public-domain text, read in full here on John Shaqi.
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