English literature -- History and criticism; Literature, Modern -- History and criticism
storks and Cornish choughs to breed in Sussex; painted on china;
emblazoned heraldic arms, and, attaching whistles to the tails of
pigeons, produced wonderful effects “as of an aerial orchestra” when
they flew through the air. To the Duchess of Somerset belongs the credit
of investigating the proper way of cooking guinea-pigs; but Lady Dorothy
was one of the first to serve up a dish of these little creatures at
luncheon in Charles Street.
But all the time the door of the cage was ajar. Raids were made into
what Mr. Nevill calls “Upper Bohemia”; from which Lady Dorothy returned
with “authors, journalists, actors, actresses, or other agreeable and
amusing people”. Lady Dorothy’s judgement is proved by the fact that
they seldom misbehaved, and some indeed became quite domesticated, and
wrote her “very gracefully turned letters”. But once or twice she made a
flight beyond the cage herself. “These horrors”, she said, alluding to
the middle class, “are so clever and we are so stupid; but then look how
well they are educated, while our children learn nothing but how to
spend their parents’ money!” She brooded over the fact. Something was
going wrong. She was too shrewd and too honest not to lay the blame
partly at least upon her own class. “I suppose she can just about read?”
she said of one lady calling herself cultured; and of another, “She is
indeed curious and well adapted to open bazaars.” But to our thinking
her most remarkable flight took place a year or two before her death, in
the Victoria and Albert Museum:
I do so agree with you, she wrote—though I ought not to say so—that
the upper class are very—I don’t know what to say—but they seem to
take no interest in anything—but golfing, etc. One day I was at the
Victoria and Albert Museum, just a few sprinkles of legs, for I am sure
they looked too frivolous to have bodies and souls attached to them—but
what softened the sight to my eyes were 2 little Japs poring over each
article with a handbook . . . our bodies, of course, giggling and
looking at nothing. Still worse, not one soul of the higher class
visible: in fact I never heard of any one of them knowing of the place,
and for this we are spending millions—it is all too painful.
It was all too painful, and the guillotine, she felt, loomed ahead. That
catastrophe she was spared, for who could wish to cut off the head of a
pigeon with a whistle attached to its tail? But if the whole bird-cage
had been overturned and the aerial orchestra sent screaming and
fluttering through the air, we can be sure, as Mr. Joseph Chamberlain
told her, that her conduct would have been “a credit to the British
aristocracy”.
IV
ARCHBISHOP THOMSON
Public-domain text, read in full here on John Shaqi.
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