English literature -- History and criticism; Literature, Modern -- History and criticism
lips, his trees flourishing, and the butterflies flying and flaunting on
his dahlias too.
[Footnote 5: Written in 1920.]
_Defoe_[6]
The fear which attacks the recorder of centenaries lest he should find
himself measuring a diminishing spectre and forced to foretell its
approaching dissolution is not only absent in the case of _Robinson
Crusoe_ but the mere thought of it is ridiculous. It may be true that
_Robinson Crusoe_ is two hundred years of age upon the twenty-fifth of
April 1919, but far from raising the familiar speculations as to whether
people now read it and will continue to read it, the effect of the
bi-centenary is to make us marvel that _Robinson Crusoe_, the perennial
and immortal, should have been in existence so short a time as that. The
book resembles one of the anonymous productions of the race itself
rather than the effort of a single mind; and as for celebrating its
centenary we should as soon think of celebrating the centenaries of
Stonehenge itself. Something of this we may attribute to the fact that
we have all had _Robinson Crusoe_ read aloud to us as children, and were
thus much in the same state of mind towards Defoe and his story that the
Greeks were in towards Homer. It never occurred to us that there was
such a person as Defoe, and to have been told that _Robinson Crusoe_ was
the work of a man with a pen in his hand would either have disturbed us
unpleasantly or meant nothing at all. The impressions of childhood are
those that last longest and cut deepest. It still seems that the name of
Daniel Defoe has no right to appear upon the title-page of _Robinson
Crusoe_, and if we celebrate the bi-centenary of the book we are making
a slightly unnecessary allusion to the fact that, like Stonehenge, it is
still in existence.
Public-domain text, read in full here on John Shaqi.
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