English literature -- History and criticism; Literature, Modern -- History and criticism
He was impervious to the romance of the situations in which he found
himself. Every experience served only to fortify his character. He
reflected, he observed, he improved himself daily. You can improve, Mr.
Edgeworth used to tell his children, every day of your life. “He used to
say that with this power of improving they might in time be anything,
and without it in time they would be nothing.” Imperturbable,
indefatigable, daily increasing in sturdy self-assurance, he has the
gift of the egoist. He brings out, as he bustles and bangs on his way,
the diffident, shrinking figures who would otherwise be drowned in
darkness. The aged lady, whose private penance he disturbed, is only one
of a series of figures who start up on either side of his progress,
mute, astonished, showing us in a way that is even now unmistakable,
their amazement at this well-meaning man who bursts in upon them at
their studies and interrupts their prayers. We see him through their
eyes; we see him as he does not dream of being seen. What a tyrant he
was to his first wife! How intolerably she suffered! But she never
utters a word. It is Dick Edgeworth who tells her story in complete
ignorance that he is doing anything of the kind. “It was a singular
trait of character in my wife,” he observes, “who had never shown any
uneasiness at my intimacy with Sir Francis Delaval, that she should take
a strong dislike to Mr. Day. A more dangerous and seductive companion
than the one, or a more moral and improving companion than the other,
could not be found in England.” It was, indeed, very singular.
For the first Mrs. Edgeworth was a penniless girl, the daughter of a
ruined country gentleman, who sat over his fire picking cinders from the
hearth and throwing them into the grate, while from time to time he
ejaculated “Hein! Heing!” as yet another scheme for making his fortune
came into his head. She had had no education. An itinerant
writing-master had taught her to form a few words. When Dick Edgeworth
was an undergraduate and rode over from Oxford she fell in love with him
and married him in order to escape the poverty and the mystery and the
dirt, and to have a husband and children like other women. But with what
result? Gigantic wheels ran downhill with the bricklayer’s son inside
them. Sailing carriages took flight and almost wrecked four stage
coaches. Machines did cut turnips, but not very efficiently. Her little
boy was allowed to roam the country like a poor man’s son, bare-legged,
untaught. And Mr. Day, coming to breakfast and staying to dinner, argued
incessantly about scientific principles and the laws of nature.
Public-domain text, read in full here on John Shaqi.
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