English literature -- History and criticism; Literature, Modern -- History and criticism
Yet let us choose another scene—one of the last that poor Mrs.
Edgeworth was to behold. She was returning from Lyons, and Mr. Day was
her escort. A more singular figure, as he stood on the deck of the
packet which took them to Dover, very tall, very upright, one finger in
the breast of his coat, letting the wind blow his hair out, dressed
absurdly, though in the height of fashion, wild, romantic, yet at the
same time authoritative and pompous, could scarcely be imagined; and
this strange creature, who loathed women, was in charge of a lady who
was about to become a mother, had adopted two orphan girls, and had set
himself to win the hand of Miss Elizabeth Sneyd by standing between
boards for six hours daily in order to learn to dance. Now and again he
pointed his toe with rigid precision; then, waking from the congenial
dream into which the dark clouds, the flying waters, and the shadow of
England upon the horizon had thrown him, he rapped out an order in the
smart, affected tones of a man of the world. The sailors stared, but
they obeyed. There was something sincere about him, something proudly
indifferent to what you thought; yes, something comforting and humane,
too, so that Mrs. Edgeworth for her part was determined never to laugh
at him again. But men were strange; life was difficult, and with a sigh
of bewilderment, perhaps of relief, poor Mrs. Edgeworth landed at Dover,
was brought to bed of a daughter, and died.
Day meanwhile proceeded to Lichfield. Elizabeth Sneyd, of course,
refused him—gave a great cry, people said; exclaimed that she had loved
Day the blackguard, but hated Day the gentleman, and rushed from the
room. And then, they said, a terrible thing happened. Mr. Day, in his
rage, bethought him of the orphan, Sabrina Sydney, whom he had bred to
be his wife; visited her at Sutton Coldfield; flew into a passion at the
sight of her; fired a pistol at her skirts, poured melted sealing wax
over her arms, and boxed her ears. “No; I could never have done that,”
Mr. Edgeworth used to say, when people described the scene. And whenever
to the end of his life he thought of Thomas Day he fell silent. So
great, so passionate, so inconsistent—his life had been a tragedy, and
in thinking of his friend, the best friend he had ever had, Richard
Edgeworth fell silent.
Public-domain text, read in full here on John Shaqi.
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