English literature -- History and criticism; Literature, Modern -- History and criticism
In some mysterious way, human beings inflict their own vagaries upon
nature. Moths and birds must have flitted more silently through the
little garden; over everything must have brooded the same fantastic
peace. Then, red-faced, garrulous, inquisitive, in burst Richard Lovell
Edgeworth. He looked at the globes; he satisfied himself that they were
of “accurate design and workmanlike construction”. He knocked at the
door. He knocked and knocked. No one came. At length, as his impatience
was overcoming him, slowly the latch was undone, gradually the door was
opened; a clergyman, neglected, unkempt, but still a gentleman, stood
before him. Edgeworth named himself, and they retired to a parlour
littered with books and papers and valuable furniture now fallen to
decay. At last, unable to control his curiosity any longer, Edgeworth
asked what were the globes in the garden? Instantly the clergyman
displayed extreme agitation. It was his son who had made them, he
exclaimed; a boy of genius, a boy of the greatest industry, and of
virtue and acquirements far beyond his age. But he had died. His wife
had died. Edgeworth tried to turn the conversation, but in vain. The
poor man rushed on passionately, incoherently about his son, his genius,
his death. “It struck me that his grief had injured his understanding,”
said Edgeworth, and he was becoming more and more uncomfortable when the
door opened and a girl of fourteen or fifteen, entering with a tea-tray
in her hand, suddenly changed the course of his host’s conversation.
Indeed, she was beautiful; dressed in white; her nose a shade too
prominent, perhaps—but no, her proportions were exquisitely right. “She
is a scholar and an artist!” the clergyman exclaimed as she left the
room. But why did she leave the room? If she was his daughter why did
she not preside at the tea-table? Was she his mistress? Who was she? And
why was the house in this state of litter and decay? Why was the front
door locked? Why was the clergyman apparently a prisoner, and what was
his secret story? Questions began to crowd into Edgeworth’s head as he
sat drinking his tea; but he could only shake his head and make one last
reflection, “I feared that something was not right,” as he shut the
white wicket gate behind him, and left alone for ever in the untidy
house among the planets and their satellites, the mad clergyman and the
lovely girl.
II
LAETITIA PILKINGTON
Public-domain text, read in full here on John Shaqi.
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