In his familiar intercourse, Bonaparte was what schoolboys call a tease; but his teasings were never spiteful, and seldom unkind. His ill-humor, easily aroused, disappeared like a cloud driven by the wind; it evaporated in words, and disappeared of its own will. Sometimes, however, when matters of public import were concerned, and his lieutenants or ministers were to blame, he gave way to violent anger; his outbursts were then hard and cruel, and often humiliating. He gave blows with a club, under which, willingly or unwillingly, the recipient had to bow his head; witness his scene with Jomini and that with the Duc de Bellune. Bonaparte had two sets of enemies, the Jacobins and the royalists; he detested the first and feared the second. In speaking of the Jacobins, he invariably called them the murderers of Louis XVI.; as for the royalists, that was another thing; one might almost have thought he foresaw the Restoration. He had about him two men who had voted the death of the king, Fouché and Cambacérès. He dismissed Fouché, and, if he kept Cambacérès, it was because he wanted the services of that eminent legist; but he could not endure him, and he would often catch his colleague, the Second Consul, by the ear, and say: “My poor Cambacérès, I’m so sorry for you; but your goose is cooked. If ever the Bourbons get back they will hang you.” One day Cambacérès lost his temper, and with a twist of his head he pulled his ear from the living pincers that held it. “Come,” he said, “have done with your foolish joking.” Whenever Bonaparte escaped any danger, a childish habit, a Corsican habit, reappeared; he always made a rapid sign of the cross on his breast with the thumb. Whenever he met with any annoyance, or was haunted with a disagreeable thought, he hummed--what air? An air of his own that was no air at all, and which nobody ever noticed, he sang so false. Then, still singing, he would sit down before his writing desk, tilting in his chair, tipping it back till he almost fell over, and mutilating, as we have said, its arms with a penknife, which served no other purpose, inasmuch as he never mended a pen himself. His secretaries were charged with that duty, and they mended them in the best manner possible, mindful of the fact that they would have to copy that terrific writing, which, as we know, was not absolutely illegible. The effect produced on Bonaparte by the ringing of bells is known. It was the only music he understood, and it went straight to his heart. If he was seated when the vibrations began he would hold up his hand for silence, and lean toward the sound. If he was walking, he would stop, bend his head, and listen. As long as the bell rang he remained motionless; when the sound died away in space, he resumed his work, saying to those who asked him to explain this singular liking for the iron voice: “It reminds me of my first years at Brienne; I was happy then!”