France -- History -- Revolution, 1789-1799 -- Fiction; Napoleon I, Emperor of the French, 1769-1821 -- Fiction
“What! ask of you,” continued the young man, “and I ask you to swear
it on our love, which has been, alas! so fatal to you, is this: if I
am arrested and disarmed, if I am imprisoned and condemned to death, I
implore you, Amélie, I exact of you, that in some way you will send me
arms, not only for myself, but for my companions also, so that we may
still be masters of our lives.”
“But in such a case, Charles, may I not tell all to my brother? May I
not appeal to his tenderness; to the generosity of the First Consul?”
Before the young girl had finished, her lover seized her violently by
the wrist.
“Amélie,” said he, “it is no longer one promise I ask of you, there are
two. Swear to me, in the first place, and above all else, that you will
not solicit my pardon. Swear it, Amélie; swear it!”
“Do I need to swear, dear?” asked the young girl, bursting into tears.
“I promise it.”
“Promise it on the hour when I first said I loved you, on the hour when
you answered that I was loved!”
“On your life, on mine, on the past, on the future, on our smiles, on
our tears.”
“I should die in any case, you see, Amélie, even though I had to beat my
brains out against the wall; but I should die dishonored.”
“I promise you, Charles.”
“Then for my second request, Amélie: if we are taken and condemned, send
me arms--arms or poison, the means of dying, any means. Coming from you,
death would be another joy.”
“Far or near, free or a prisoner, living or dead, you are my master, I
am your slave; order and I obey.”
“That is all, Amélie; it is simple and clear, you see, no pardon, and
the means of death.”
“Simple and clear, but terrible.”
“You will do it, will you not?”
“You wish me to?”
“I implore you.”
“Order or entreaty, Charles, your will shall be done.”
The young man held the girl, who seemed on the verge of fainting, in his
left arm, and approached his mouth to hers. But, just as their lips
were about to touch, an owl’s cry was heard, so close to the window
that Amélie started and Charles raised his head. The cry was repeated a
second time, and then a third.
“Ah!” murmured Amélie, “do you hear that bird of ill-omen? We are
doomed, my friend.”
But Charles shook his head.
“That is not an owl, Amélie,” he said; “it is the call of our
companions. Put out the light.”
Amélie blew it out while her lover opened the window.
“Even here,” she murmured; “they seek you even here!”
“It is our friend and confidant, the Comte de Jayat; no one else knows
where I am.” Then, leaning from the balcony, he asked: “Is it you,
Montbar?”
“Yes; is that you, Morgan?”
“Yes.”
A man came from behind a clump of trees.
“News from Paris; not an instant to lose; a matter of life and death to
us all.”
“Do you hear, Amélie?”
Taking the young girl in his arms, he pressed her convulsively to his
heart.
“Go,” she said, in a faint voice, “go. Did you not hear him say it was a
matter of life and death for all of you?”
“Farewell, my Amélie, my beloved, farewell!”
Public-domain text, read in full here on John Shaqi.
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