The Complete Plays of Gilbert and SullivanGilbert, W. S. (William Schwenck)
General
The Complete Plays of Gilbert and Sullivan
Gilbert, W. S. (William Schwenck)
Operas -- Librettos
I forget what they sat down in, but so the song goes!
Listen—I've come to pinch her!
ROSE. Mercy, whom?
MAR. You mean "who".
ROSE. Nay! it is the accusative after the verb.
MAR. True. (Whispers melodramatically.) I have come to
pinch Rose Maybud!
ROSE. (Aside, alarmed.) Rose Maybud!
MAR. Aye! I love him—he loved me once. But that's all
gone, fisht! He gave me an Italian glance—thus (business)—and
made me his. He will give her an Italian glance, and make her
his. But it shall not be, for I'll stamp on her—stamp on her-
-stamp on her! Did you ever kill anybody? No? Why not?
Listen—I killed a fly this morning! It buzzed, and I wouldn't
have it. So it died—pop! So shall she!
ROSE. But, behold, I am Rose Maybud, and I would fain not
die "pop."
MAR. You are Rose Maybud?
ROSE. Yes, sweet Rose Maybud!
MAR. Strange! They told me she was beautiful! And he
loves you! No, no! If I thought that, I would treat you as the
auctioneer and land-agent treated the lady-bird—I would rend you
asunder!
ROSE. Nay, be pacified, for behold I am pledged to another,
and lo, we are to be wedded this very day!
MAR. Swear me that! Come to a Commissioner and let me have
it on affidavit! I once made an affidavit—but it died—it died-
-it died! But see, they come—Sir Despard and his evil crew!
Hide, hide—they are all mad—quite mad!
ROSE. What makes you think that?
MAR. Hush! They sing choruses in public. That's mad
enough, I think. Go—hide away, or they will seize you! Hush!
Quite softly—quite, quite softly!
(Exeunt together, on tiptoe.)
(Enter Chorus of Bucks and Blades, heralded by Chorus of
Bridesmaids.)
CHORUS OF BRIDESMAIDS.
Welcome, gentry,
For your entry
Sets our tender hearts a-beating.
Men of station,
Admiration
Prompts this unaffected greeting.
Hearty greeting offer we!
CHORUS OF BUCKS AND BLADES.
When thoroughly tired
Of being admired,
By ladies of gentle degree—degree,
With flattery sated,
High-flown and inflated,
Away from the city we flee—we flee!
From charms intramural
To prettiness rural
The sudden transition
Is simply Elysian,
So come, Amaryllis,
Come, Chloe and Phyllis,
Your slaves, for the moment, are we!
ALL. From charms intramural, etc.
CHORUS OF BRIDESMAIDS.
Public-domain text, read in full here on John Shaqi.
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