The Complete Poetic and Dramatic Works of Robert Browning: Cambridge EditionBrowning, Robert
General
The Complete Poetic and Dramatic Works of Robert Browning: Cambridge Edition
Browning, Robert
Browning, Robert, 1812-1889; English drama -- 19th century; English poetry -- 19th century
_Paracelsus_ found an enthusiastic reader in the actor Macready, who
begged Browning to write him a play, even suggesting the subject to
him, which did not awaken the poet's interest. More than a year passed,
when the two met at a supper given by Macready after the successful
presentation of Talfourd's _Ion_. As the guests were leaving, Macready
said to Browning: "Write a play, Browning, and keep me from going to
America." "Shall it be historical and English?" replied Browning. "What
do you say to a drama on Strafford?" and the poet now had his subject.
His choice is readily explained by the fact that he was at this time
helping his friend John Forster with his Life of Strafford contained
in _Lives of Eminent British Statesmen_. Indeed, Mr. Furnivall says
without hesitation that the agreement of the Strafford of the play
with the Strafford of Forster's biography is due to the fact that
Browning wrote the whole of the Life of Strafford after the first seven
paragraphs.
When the play was rehearsing Browning gave Macready a lilt which he had
composed for the children's song in Act V. It was not used, because
the two children who were to sing wished a more pretentious song. The
lilt which Browning composed was purposely no more than a _crooning_
measure. He afterward gave it to Miss Hickey for her special edition of
_Strafford_, and it is reproduced here in its place. The following is
Browning's preface to the first edition:--
"I had for some time been engaged in a Poem of a very different
nature, when induced to make the present attempt; and am not without
apprehension that my eagerness to freshen a jaded mind by diverting it
to the healthy natures of a grand epoch, may have operated unfavorably
on the represented play, which is one of Action in Character, rather
than Character in Action. To remedy this, in some degree, considerable
curtailment will be necessary, and, in a few instances, the supplying
details not required, I suppose, by the mere reader. While a trifling
success would much gratify, failure will not wholly discourage me from
another effort: experience is to come; and earnest endeavor may yet
remove many disadvantages.
"The portraits are, I think, faithful; and I am exceedingly fortunate
in being able, in proof of this, to refer to the subtle and eloquent
exposition of the characters of Eliot and Strafford, in the _Lives
of Eminent British Statesmen_, now in the course of publication in
Lardner's _Cyclopedia_, by a writer [John Forster] whom I am proud
to call my friend; and whose biographies of Hampden, Pym, and Vane,
will, I am sure, fitly illustrate the present year--the Second
Centenary of the Trial concerning Ship-Money. My Carlisle, however, is
purely imaginary: I at first sketched her singular likeness roughly
in, as suggested by Matthews and the memoir-writers--but it was too
artificial, and the substituted outline is exclusively from Voiture and
Waller.
Public-domain text, read in full here on John Shaqi.
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