The Complete Poetic and Dramatic Works of Robert Browning: Cambridge EditionBrowning, Robert
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The Complete Poetic and Dramatic Works of Robert Browning: Cambridge Edition
Browning, Robert
Browning, Robert, 1812-1889; English drama -- 19th century; English poetry -- 19th century
The reason Father Porphyry took pains
To blot those ten lines out which used to stand
First on their charter drawn by Hildebrand.
The same night wears. Verona's rule of yore
[Sidenote: Count Richard's Palace at Verona.]
Was vested in a certain Twenty-four;
And while within his palace these debate
Concerning Richard and Ferrara's fate,
Glide we by clapping doors, with sudden glare
Of cressets vented on the dark, nor care
For aught that 's seen or heard until we shut
The smother in, the lights, all noises but
The carroch's booming: safe at last! Why strange
Such a recess should lurk behind a range
Of banquet-rooms? Your finger--thus--you push
A spring, and the wall opens, would you rush
Upon the banqueters, select your prey,
Waiting (the slaughter-weapons in the way
Strewing this very bench) with sharpened ear
A preconcerted signal to appear;
Or if you simply crouch with beating heart,
[Sidenote: Of the couple found therein,]
Bearing in some voluptuous pageant part
To startle them. Nor mutes nor masquers now;
Nor any ... does that one man sleep whose brow
The dying lamp-flame sinks and rises o'er?
What woman stood beside him? not the more
Is he unfastened from the earnest eyes
Because that arras fell between! Her wise
And lulling words are yet about the room,
Her presence wholly poured upon the gloom
Down even to her vesture's creeping stir.
And so reclines he, saturate with her,
Until an outcry from the square beneath
Pierces the charm: he springs up, glad to breathe,
Above the cunning element, and shakes
The stupor off as (look you) morning breaks
On the gay dress, and, near concealed by it,
The lean frame like a half-burnt taper, lit
Erst at some marriage-feast, then laid away
Till the Armenian bridegroom's dying day,
In his wool wedding-robe.
For he--for he,
Gate-vein of this hearts' blood of Lombardy,
(If I should falter now)--for he is thine!
Sordello, thy forerunner, Florentine!
A herald-star I know thou didst absorb
Relentless into the consummate orb
That scared it from its right to roll along
A sempiternal path with dance and song
Fulfilling its allotted period,
Serenest of the progeny of God--
Who yet resigns it not! His darling stoops
With no quenched lights, desponds with no blank troops
Of disenfranchised brilliances, for, blent
Utterly with thee, its shy element
Like thine upburneth prosperous and clear.
Still, what if I approach the august sphere
Named now with only one name, disentwine
That under-current soft and argentine
From its fierce mate in the majestic mass
Leavened as the sea whose fire was mixt with glass
In John's transcendent vision,--launch once more
That lustre? Dante, pacer of the shore
Public-domain text, read in full here on John Shaqi.
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