The Complete Poetic and Dramatic Works of Robert Browning: Cambridge EditionBrowning, Robert
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The Complete Poetic and Dramatic Works of Robert Browning: Cambridge Edition
Browning, Robert
Browning, Robert, 1812-1889; English drama -- 19th century; English poetry -- 19th century
Her unbound tresses with the Sabine dart,
Holding that famous rape in memory still,
Felt creep into her curls the iron chill,
And looked thus," Eglamor would say--indeed
[Sidenote: This is answered by Eglamor himself:]
'T is Eglamor, no other, these precede
Home hither in the woods. "'T were surely sweet
Far from the scene of one's forlorn defeat
To sleep!" judged Naddo, who in person led
Jongleurs and Trouveres, chanting at their head,
A scanty company; for, sooth to say,
Our beaten Troubadour had seen his day.
Old worshippers were something shamed, old friends
Nigh weary; still the death proposed amends.
"Let us but get them safely through my song
And home again!" quoth Naddo.
All along,
This man (they rest the bier upon the sand)
--This calm corpse with the loose flowers in his hand,
Eglamor, lived Sordello's opposite.
For him indeed was Naddo's notion right,
And verse a temple-worship vague and vast,
A ceremony that withdrew the last
Opposing bolt, looped back the lingering veil
Which hid the holy place: should one so frail
Stand there without such effort? or repine
If much was blank, uncertain at the shrine
He knelt before, till, soothed by many a rite,
The power responded, and some sound or sight
Grew up, his own forever, to be fixed,
In rhyme, the beautiful, forever!--mixed
With his own life, unloosed when he should please,
[Sidenote: One who belonged to what he loved,]
Having it safe at hand, ready to ease
All pain, remove all trouble; every time
He loosed that fancy from its bonds of rhyme,
(Like Perseus when he loosed his naked love)
Faltering; so distinct and far above
Himself, these fancies! He, no genius rare,
Transfiguring in fire or wave or air
At will, but a poor gnome that, cloistered up
In some rock-chamber with his agate cup,
His topaz rod, his seed-pearl, in these few
And their arrangement finds enough to do
For his best art. Then, how he loved that art!
The calling marking him a man apart
From men--one not to care, take counsel for
Cold hearts, comfortless faces--(Eglamor
Was neediest of his tribe)--since verse, the gift,
Was his, and men, the whole of them, must shift
Without it, e'en content themselves with wealth
And pomp and power, snatching a life by stealth.
So, Eglamor was not without his pride!
[Sidenote: Loving his art and rewarded by it,]
The sorriest bat which cowers throughout noontide
While other birds are jocund, has one time
When moon and stars are blinded, and the prime
Of earth is his to claim, nor find a peer;
And Eglamor was noblest poet here--
He well knew, 'mid those April woods, he cast
Conceits upon in plenty as he passed,
That Naddo might suppose him not to think
Entirely on the coming triumph: wink
Public-domain text, read in full here on John Shaqi.
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