The Complete Poetic and Dramatic Works of Robert Browning: Cambridge EditionBrowning, Robert
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The Complete Poetic and Dramatic Works of Robert Browning: Cambridge Edition
Browning, Robert
Browning, Robert, 1812-1889; English drama -- 19th century; English poetry -- 19th century
In poured such tributes ere he had arranged
Ethereal ways to take them, sorted, changed,
Digested. Courted thus at unawares,
In spite of his pretensions and his cares,
He caught himself shamefully hankering
After the obvious petty joys that spring
From true life, fain relinquish pedestal
[Sidenote: He succeeds a little, but fails more;]
And condescend with pleasures--one and all
To be renounced, no doubt; for, thus to chain
Himself to single joys and so refrain
From tasting their quintessence, frustrates, sure,
His prime design; each joy must he abjure
Even for love of it.
He laughed: what sage
But perishes if from his magic page
He look because, at the first line, a proof
'T was heard salutes him from the cavern roof?
"On! Give yourself, excluding aught beside,
To the day's task; compel your slave provide
Its utmost at the soonest; turn the leaf
Thoroughly conned. These lays of yours, in brief--
Cannot men hear, now, something better?--fly
A pitch beyond this unreal pageantry
Of essences? the period sure has ceased
For such: present us with ourselves, at least,
Not portions of ourselves, mere loves and hates
Made flesh: wait not!"
[Sidenote: Tries again, is no better satisfied,]
Awhile the poet waits
However. The first trial was enough:
He left imagining, to try the stuff
That held the imaged thing, and, let it writhe
Never so fiercely, scarce allowed a tithe
To reach the light--his Language. How he sought
The cause, conceived a cure, and slow re-wrought
That Language,--welding words into the crude
Mass from the new speech round him, till a rude
Armor was hammered out, in time to be
Approved beyond the Roman panoply
Melted to make it,--boots not. This obtained
With some ado, no obstacle remained
To using it; accordingly he took
An action with its actors, quite forsook
Himself to live in each, returned anon
With the result--a creature, and, by one
And one, proceeded leisurely to equip
Its limbs in harness of his workmanship.
"Accomplished! Listen, Mantuans!" Fond essay!
Piece after piece that armor broke away,
Because perceptions whole, like that he sought
To clothe, reject so pure a work of thought
As language: thought may take perception's place
But hardly co-exist in any case,
Being its mere presentment--of the whole
By parts, the simultaneous and the sole
By the successive and the many. Lacks
The crowd perception? painfully it tacks
Thought to thought, which Sordello, needing such,
Has rent perception into: it 's to clutch
And reconstruct--his office to diffuse,
Destroy: as hard, then, to obtain a Muse
As to become Apollo. "For the rest,
E'en if some wondrous vehicle expressed
The whole dream, what impertinence in me
Public-domain text, read in full here on John Shaqi.
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