The Complete Poetical Works of Oliver GoldsmithGoldsmith, Oliver
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The Complete Poetical Works of Oliver Goldsmith
Goldsmith, Oliver
English poetry; Literature -- Collections
How small, of all, etc. Johnson wrote these
concluding
ten lines with the exception of the penultimate couplet. They and line 420
were all—he told Boswell—of which he could be sure (Birkbeck
Hill’s _Boswell_, _ut supra_). Like Goldsmith, he
sometimes worked his prose ideas into his verse. The first couplet is
apparently a reminiscence of a passage in his own _Rasselas_,
1759, ii. 112, where the astronomer speaks of ‘the task of a king . . .
who has the care only of a few millions, to whom he cannot do much good or
harm.’ (Grant’s _Johnson_, 1887, p. 89.) ‘I would not give half
a guinea to live under one form of government rather than another,’ he
told that ‘vile Whig,’ Sir Adam Fergusson, in 1772. ‘It is of no moment to
the happiness of an individual’ (Birkbeck Hill’s _ Boswell_,
1887, ii. 170).
The lifted axe. Mitford here recalls Blackmore’s
Some the sharp axe, and some the painful wheel.
The ‘lifted axe’ he also traces to Young and Blackmore, with both of whom
Goldsmith seems to have been familiar; but it is surely not necessary to
assume that he borrowed from either in this instance.
Luke’s iron crown. George and Luke Dosa, or Doscha,
headed a rebellion in Hungary in 1513. The former was proclaimed king by
the peasants; and, in consequence suffered, among other things, the
torture of the red-hot iron crown. Such a punishment took place at
Bordeaux when Montaigne was seventeen (Morley’s Florio’s _ Montaigne_,
1886, p. xvi). Much ink has been shed over Goldsmith’s lapse of ‘Luke’ for
George. In the book which he cited as his authority, the family name of
the brothers was given as Zeck,—hence Bolton Corney, in his edition
of the _ Poetical Works_, 1845, p. 36, corrected the line to—
_Zeck’s_ iron crown, etc.,
an alteration which has been adopted by other editors. (See also Forster’s
_Life_, 1871, i. 370.)
Public-domain text, read in full here on John Shaqi.
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