The Complete Poetical Works of Oliver GoldsmithGoldsmith, Oliver
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The Complete Poetical Works of Oliver Goldsmith
Goldsmith, Oliver
English poetry; Literature -- Collections
In Letter xxix of _The Citizen of the World_, 1762, i. 119–22,
which first appeared in _The Public Ledger_ for May 2, 1760,
they have a different setting. They are read at a club of authors by a
‘poet, in shabby finery,’ who asserts that he has composed them the day
before. After some preliminary difficulties, arising from the fact that
the laws of the club do not permit any author to inflict his own works
upon the assembly without a money payment, he introduces them as
follows:—‘Gentlemen, says he,
the present piece is not one of your common epic
poems, which come from the press like paper kites in summer; there are
none of your Turnuses or Dido’s in it; it is an heroical description of
nature. I only beg you’ll endeavour to make your souls unison* with mine,
and hear with the same enthusiasm with which I have written. The poem
begins with the description of an author’s bedchamber: the picture was
sketched in my own apartment; for you must know, gentlemen, that I am
myself the heroe. Then putting himself into the attitude of an orator,
with all the emphasis of voice and action, he proceeded.
Where the Red Lion, etc.’
* i.e. accord, conform.
The verses then follow as they are printed in this volume; but he is
unable to induce his audience to submit to a further sample. In a slightly
different form, some of them were afterwards worked into _The
Deserted Village_, 1770. (See ll. 227–36.)
Where Calvert’s butt, and Parsons’ black champagne.
The Calverts and Humphrey Parsons were noted brewers of ‘entire butt beer’
or porter, also known familiarly as ‘British Burgundy’ and ‘black
Champagne.’ Calvert’s ‘Best Butt Beer’ figures on the sign in Hogarth’s
_ Beer Street_, 1751.
The humid wall with paltry pictures spread. Bewick
gives the names of some of these popular, if paltry, decorations:—‘In
cottages everywhere were to be seen the “Sailor’s Farewell” and his “Happy
Return,” “Youthful Sports,” and the “Feats of Manhood,” “The Bold Archers
Shooting at a Mark,” “The Four Seasons,” etc.’ (_Memoir_,
‘Memorial Edition,’ 1887, p. 263.)
The royal game of goose was there in view. (See
note, p. 188.)
And the twelve rules the royal martyr drew. (See
note, p. 187.)
The Seasons, fram’d with listing. See note to l. 10
above, as to ‘The Seasons.’ Listing, ribbon, braid, or tape is still used
as a primitive _encadrement_. In a letter dated August 15, 1758, to
his cousin, Mrs. Lawder (Jane Contarine), Goldsmith again refers to this
device. Speaking of some ‘maxims of frugality’ with which he intends to
adorn his room, he adds—‘my
landlady’s daughter shall frame them with the parings of my black
waistcoat.’ (Prior, _Life_, 1837, i. 271.)
Public-domain text, read in full here on John Shaqi.
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