The Complete Poetical Works of Oliver GoldsmithGoldsmith, Oliver
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The Complete Poetical Works of Oliver Goldsmith
Goldsmith, Oliver
English poetry; Literature -- Collections
As a correspondent was not slow to point out, Goldsmith, if a copyist, at
all events considerably improved his model (see in particular lines 7 and
8 of the French). On the 30th of the month the late Sir William Fraser
gave it as his opinion, that, until the volume of 1719 should be produced,
the ‘very inferior verses quoted’ must be classed with the fabrications of
‘Father Prout,’ and he instanced that very version of the _ Burial of
Sir John Moore_ (_Les Funérailles de Beaumanoir_)
which has recently (August 1906) been going the round of the papers once
again. No Ségur volume of 1719 was, of course, forthcoming.
Kenrick, as we have already seen, had in 1767 accused Goldsmith of taking
_Edwin and Angelina_ from Percy (p. 206). Thirty years later,
the charge of plagiarism was revived in a different way when _Raimond
and Angéline_, a French translation of the same poem,
appeared, as Goldsmith’s original, in a collection of Essays called _The
Quiz_, 1797. It was eventually discovered to be a translation ‘from’
Goldsmith by a French poet named Léonard, who had included it in a
volume dated 1792, entitled _Lettres de deux Amans, Habitans de Lyon_
(Prior’s _Life_, 1837, ii. 89–94). It may be added that,
according to the _ Biographie Universelle_, 1847, vol. 18 (Art.
‘Goldsmith’), there were then no fewer than at least three French
imitations of _The Hermit_ besides Léonard’s.
EPILOGUE TO ‘THE GOOD NATUR’D MAN.’
Goldsmith’s comedy of _The Good Natur’d Man_ was produced by
Colman, at Covent Garden, on Friday, January 29, 1768. The following note
was appended to the Epilogue when printed:—‘The Author, in
expectation of an Epilogue from a friend at Oxford, deferred writing one
himself till the very last hour. What is here offered, owes all its
success to the graceful manner of the Actress who spoke it.’ It was spoken
by Mrs. Bulkley, the ‘Miss Richland’ of the piece. In its first form it is
to be
found in _The Public Advertiser_ for February 3. Two days later
the play was published, with the version here followed.
As puffing quacks. Goldsmith had devoted a Chinese
letter to this subject. See _Citizen of the World_, 1762, ii.
10 (Letter lxv).
Public-domain text, read in full here on John Shaqi.
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