** Goldsmith’s traditional ill-luck pursued him after death. During some public procession in front of Trinity College, a number of undergraduates climbed on the statue, with the result that the thin metal of the poet’s head was flattened or crushed in, requiring for its readjustment very skilful restorative treatment. The Editor is indebted for this item of information to the kindness of Mr. Percy Fitzgerald, who was present at the subsequent operation. APPENDIX B DESCRIPTIONS OF NEWELL’S VIEWS OF LISSOY, ETC. In 1811, the Rev. R. H. Newell, B.D. and Fellow of St. John’s College, Cambridge, issued an edition of the _ Poetical Works_ of Goldsmith. The distinctive feature of this lay in the fact that it was illustrated by a number of aquatints ‘by Mr. Alkin’ (i.e. Samuel Alken), after drawings made by Newell in 1806–9, and was accompanied by a series of ‘Remarks, attempting to ascertain, chiefly from local observation, the actual scene of _The Deserted Village_.’ Some quotations from these ‘Remarks’ have already been made in the foregoing notes; but as copies of six of the drawings are given in this volume, it may be well, in each case, to reproduce Newell’s ‘descriptions.’ LISHOY, OR LISSOY MILL. The west end of it, as seen from a field near the road; to the north the country slopes away in coarsely cultivated enclosures, and the distance eastward is bounded by the Longford hills. The stream ran from the south side of the mill (where it is still of some width though nearly choked up), and fell over the once busy wheel, into a deep channel, now overgrown with weeds. Neglect and poverty appear all around. The farm house and barn-like buildings, which fill up the sketch, seem to have no circumstances of interest attached to them (p. 83). [Illustration: ] LISSOY MILL (R. H. Newell) KILKENNY WEST CHURCH. This south-west view was taken from the road, which passes by the church, towards Lishoy, and overlooks the adjacent country to the west. The church appears neat, its exterior having been lately repaired. The tree added to the foreground is the only liberty taken with the subject (p. 83). HAWTHORN TREE. An east view of the tree, as it stood in August, 1806. The Athlone road occupies the centre of the sketch, winding round the stone wall to the right, into the village, and to the left leading toward the church. The cottage and tree opposite the hawthorn, adjoin the present public-house; the avenue before the parsonage tops the distant eminence (p. 84). SOUTH VIEW FROM GOLDSMITH’S MOUNT.