The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 (of 2)Coleridge, Samuel Taylor
General
The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 (of 2)
Coleridge, Samuel Taylor
English poetry -- 19th century
But through her brain of weal and woe
So many thoughts moved to and fro, 240
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline
To look at the lady Geraldine.
Beneath the lamp the lady bowed, 245
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest, 250
Dropt to her feet, and full in view,
Behold! her bosom and half her side--
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!
Yet Geraldine nor speaks nor stirs; 255
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied, 260
Collects herself in scorn and pride,
And lay down by the Maiden's side!--
And in her arms the maid she took,
Ah wel-a-day!
And with low voice and doleful look 265
These words did say:
'In the touch of this bosom there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow; 270
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard'st a low moaning, 275
And found'st a bright lady, surpassingly fair;
And didst bring her home with thee in love and in charity,
To shield her and shelter her from the damp air.'
THE CONCLUSION TO PART I
It was a lovely sight to see
The lady Christabel, when she 280
Was praying at the old oak tree.
Amid the jaggéd shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows; 285
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale--
Her face, oh call it fair not pale,
And both blue eyes more bright than clear, 290
Each about to have a tear.
With open eyes (ah woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is-- 295
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild, 300
As a mother with her child.
Public-domain text, read in full here on John Shaqi.
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