The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 (of 2)Coleridge, Samuel Taylor
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The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 (of 2)
Coleridge, Samuel Taylor
English poetry -- 19th century
THE THREE GRAVES[267:1]
A FRAGMENT OF A SEXTON'S TALE
'The Author has published the following humble fragment,
encouraged by the decisive recommendation of more than one of
our most celebrated living Poets. The language was intended to
be dramatic; that is, suited to the narrator; and the metre
corresponds to the homeliness of the diction. It is therefore
presented as the fragment, not of a Poem, but of a common
Ballad-tale.[268:1] Whether this is sufficient to justify the
adoption of such a style, in any metrical composition not
professedly ludicrous, the Author is himself in some doubt. At
all events, it is not presented as poetry, and it is in no way
connected with the Author's judgment concerning poetic
diction. Its merits, if any, are exclusively psychological.
The story which must be supposed to have been narrated in the
first and second parts is as follows:--
'Edward, a young farmer, meets at the house of Ellen her
bosom-friend Mary, and commences an acquaintance, which ends
in a mutual attachment. With her consent, and by the advice of
their common friend Ellen, he announces his hopes and
intentions to Mary's mother, a widow-woman bordering on her
fortieth year, and from constant health, the possession of a
competent property, and from having had no other children but
Mary and another daughter (the father died in their infancy),
retaining for the greater part her personal attractions and
comeliness of appearance; but a woman of low education and
violent temper. The answer which she at once returned to
Edward's application was remarkable--"Well, Edward! you are a
handsome young fellow, and you shall have my daughter." From
this time all their wooing passed under the mother's eye; and,
in fine, she became herself enamoured of her future
son-in-law, and practised every art, both of endearment and of
calumny, to transfer his affections from her daughter to
herself. (The outlines of the Tale are positive facts, and of
no very distant date, though the author has purposely altered
the names and the scene of action, as well as invented the
characters of the parties and the detail of the incidents.)
Edward, however, though perplexed by her strange detractions
from her daughter's good qualities, yet in the innocence of
his own heart still mistook[268:2] her increasing fondness for
motherly affection; she at length, overcome by her miserable
passion, after much abuse of Mary's temper and moral
tendencies, exclaimed with violent emotion--"O Edward! indeed,
indeed, she is not fit for you--she has not a heart to love
you as you deserve. It is I that love you! Marry me, Edward!
and I will this very day settle all my property on you." The
Lover's eyes were now opened; and thus taken by surprise,
Public-domain text, read in full here on John Shaqi.
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