The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 (of 2)Coleridge, Samuel Taylor
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The Complete Poetical Works of Samuel Taylor Coleridge. Vol 1 (of 2)
Coleridge, Samuel Taylor
English poetry -- 19th century
[72:2] First published in 1796: included in _Selection of Sonnets_,
1796: in 1797, 1803, 1828, 1829, and 1834. The following 'Note' (Note 6,
pp. 180, 181) was printed in 1796, and appears again in 1797 as a
footnote, p. 83:--'One night in Winter, on leaving a College-friend's
room, with whom I had supped, I carelessly took away with me "The
Robbers", a drama, the very name of which I had never before heard
of:--A Winter midnight--the wind high--and "The Robbers" for the first
time!--The readers of Schiller will conceive what I felt. Schiller
introduces no supernatural beings; yet his human beings agitate and
astonish more than all the _goblin_ rout--even of Shakespeare.' See for
another account of the midnight reading of 'The Robbers', Letter to
Southey, November [6], 1794, _Letters of S. T. C._, 1895, i. 96, 97.
In the _Selection of Sonnets_, 1796, this note was reduced to one
sentence. 'Schiller introduces no Supernatural Beings.' In 1803 the note
is omitted, but a footnote to line 4 is appended: 'The Father of Moor in
the Play of the Robbers.'
LINENOTES:
Title] Effusion xx. To the Author, &c. [To 'Schiller', _Contents_] 1796:
Sonnet viii. To the Author of 'The Robbers' 1797: Sonnet xv. 1803:
Sonnet xii. To the Author of the Robbers 1828, 1829, 1834.
_Lines 1-4_ are printed in the reverse order (_4_, _3_, _2_, _1_).
Selections.
[5-6]
That in no after moment aught, less vast
Might stamp me human!
Selections.
That in no after moment aught less vast
Might stamp me mortal!
1797, 1803.
[8] From the more with'ring scene diminish'd past. Selections, 1797,
1803.
MELANCHOLY[73:1]
A FRAGMENT
Stretch'd on a moulder'd Abbey's broadest wall,
Where ruining ivies propp'd the ruins steep--
Her folded arms wrapping her tatter'd pall,
[73:2]Had Melancholy mus'd herself to sleep.
The fern was press'd beneath her hair,
The dark green Adder's Tongue[74:1] was there;
And still as pass'd the flagging sea-gale weak,
The long lank leaf bow'd fluttering o'er her cheek.
That pallid cheek was flush'd: her eager look
Beam'd eloquent in slumber! Inly wrought, 10
Imperfect sounds her moving lips forsook,
And her bent forehead work'd with troubled thought.
Strange was the dream----
? 1794.
FOOTNOTES:
[73:1] First published in the _Morning Post_, December 12, 1797 (not, as
Coleridge says, the _Morning Chronicle_); included in _Sibylline
Leaves_, 1817 (with an addition), and, again, in _P. and D. W._,
1877-80, and (in its first shape) in 1828, 1829, 1834, 1852, and 1893.
Sent in Letter to Sotheby, Aug. 26, 1802.
[73:2] Bowles borrowed these lines unconsciously, I doubt not. I had
repeated the poem on my first visit [Sept. 1797]. _MS. Note, S. T. C._
See, too, _Letter_, Aug. 26, 1802. [Here Melancholy on the pale crags
laid, Might muse herself to sleep--_Coomb Ellen_, written September,
1798.]
Public-domain text, read in full here on John Shaqi.
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