The Complete Poetical Works of Samuel Taylor Coleridge. Vol 2 (of 2)Coleridge, Samuel Taylor
General
The Complete Poetical Works of Samuel Taylor Coleridge. Vol 2 (of 2)
Coleridge, Samuel Taylor
English poetry -- 19th century
_Thekla._ And if this be the science of the stars,
I too, with glad and zealous industry, 140
Will learn acquaintance with this cheerful faith.
It is a gentle and affectionate thought,
That in immeasurable heights above us,
At our first birth, the wreath of love was woven,
With sparkling stars for flowers.
_Countess._ Not only roses, 145
But thorns too hath the heaven; and well for you
Leave they your wreath of love inviolate;
What Venus twined, the bearer of glad fortune,
The sullen orb of Mars soon tears to pieces.
_Max._ Soon will his gloomy empire reach its close. 150
Blest be the General's zeal: into the laurel
Will he inweave the olive-branch, presenting
Peace to the shouting nations. Then no wish
Will have remained for his great heart! Enough
Has he performed for glory, and can now 155
Live for himself and his. To his domains
Will he retire; he has a stately seat
Of fairest view at Gitschin; Reichenberg,
And Friedland Castle, both lie pleasantly--
Even to the foot of the huge mountains here 160
Stretches the chase and covers of his forests:
His ruling passion, to create the splendid,
He can indulge without restraint; can give
A princely patronage to every art,
And to all worth a Sovereign's protection. 165
Can build, can plant, can watch the starry courses--
_Countess._ Yet I would have you look, and look again,
Before you lay aside your arms, young friend!
A gentle bride, as she is, is well worth it,
That you should woo and win her with the sword. 170
_Max._ O, that the sword could win her!
_Countess._ What was that?
Did you hear nothing? Seem'd, as if I heard
Tumult and larum in the banquet-room. [_Exit COUNTESS._
FOOTNOTES:
[647:1] In this and in Max's reply to it I have taken more liberty than
in any other part of the play--except perhaps in Gordon's character of
Wallenstein [Act III. Scene ii]. In truth, Max's reply after the first
nine lines is almost my own, as are the first seven lines of Thekla's
description. The remainder I take a little pride in as a specimen of
translation, fully equal, and in diction and rhythmic feeling superior,
to the original. _S. T. C._ _MS. R_.
[649:1]
No more of talk, where God or Angel Guest
With Man, as with his friend, familiar used
To sit indulgent.
_Paradise Lost_, ix. 1-3. _1800_, _1828_, _1829_.
LINENOTES:
[2] _Max (stepping backward)._ 1800, 1828, 1829.
[5] _you_ 1800, 1828, 1829.
[17] _father_ 1800, 1828, 1829.
[26] _his_ 1800, 1828, 1829.
[54] inalienable] unalienable 1800, 1828, 1829.
[After 56] [_Breaking off, and in a sportive tone._ 1800, 1828, 1829.
[60] _Countess (recollecting)._ 1800, 1828, 1829.
[63] _Thekla (smiling)._ 1800, 1828, 1829.
[126] their] her 1829.
Public-domain text, read in full here on John Shaqi.
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