_VELEZ = MARQUIS VALDEZ, Father to the two brothers, and Doña Teresa's Guardian._ _ALBERT = DON ALVAR, the eldest son._ _OSORIO = DON ORDONIO, the youngest son._ _FRANCESCO = MONVIEDRO, a Dominican and Inquisitor._ _MAURICE = ZULIMEZ, the faithful attendant on Alvar._ _FERDINAND = ISIDORE, a Moresco Chieftain, ostensibly a Christian._ _Familiars of the Inquisition._ _NAOMI = NAOMI._ _Moors, Servants, &c._ _MARIA = DOÑA TERESA, an Orphan Heiress._ _ALHADRA, wife } = _ALHADRA, Wife of Isidore._ of FERDINAND_, } _FAMILIARS OF THE INQUISITION._ _MOORS, SERVANTS_, &c. _Time. The reign of Philip II., just at the close of the civil wars against the Moors, and during the heat of the persecution which raged against them, shortly after the edict which forbade the wearing of Moresco apparel under pain of death._ FOOTNOTES: [819:1] _Remorse_, a recast of _Osorio_, was first played at Drury Lane Theatre, January 23, 1813, and had a run of twenty nights. It was first published as a pamphlet of seventy-two pages in 1813, and ran through three editions. The Second Edition, which numbered seventy-eight pages, was enlarged by an Appendix consisting of a passage which formed part of Act IV, Scene 2 of _Osorio_, and had been published in the _Lyrical Ballads_ (1798, 1800, 1802, and 1805) as a separate poem entitled 'The Foster-Mother's Tale' (_vide ante_, pp. 182-4, 571-4), and of a second passage numbering twenty-eight lines, which was afterwards printed as a footnote to _Remorse_, Act II, Scene 2, line 42 (_vide post_, p. 842) 'You are a painter, &c.' The Third Edition was a reissue of the Second. In the _Athenæum_, April 1, 1896, J. D. Campbell points out that there were three issues of the First Edition, of which he had only seen the first; viz. (1) the normal text [Edition I]; (2) a second issue [Edition I (_b_)] quoted by the Editor (R. H. Shepherd) of _Osorio_, 1877, as a variant of Act V, line 252; (3) a third issue quoted by the same writer in his edition of _P. W._, 1877-80, iii. 154, 155 [Edition I (_c_)]. There is a copy of Edition I (_b_) in the British Museum: save in respect of Act V, line 252, it does not vary from Edition I. I have not seen a copy of Edition I (_c_). Two copies of _Remorse_ annotated by S. T. Coleridge have passed through my hands, (1) a copy of the First Edition presented to the Manager of the Theatre, J. G. Raymond (_MS. R._), and (2) a copy of the Second Edition presented to Miss Sarah Hutchinson (_MS. H._). _Remorse_ is included in 1828, 1829, and 1834. [819:2] This Tragedy has a particular advantage--it has the _first_ scene, in which Prologue plays Dialogue with Dumby. (_MS. H._) ACT I SCENE I _The Sea Shore on the Coast of Granada._