The Complete Project Gutenberg Works of Jane Austen: A Linked Index of all PG Editions of Jane AustenAusten, Jane
General
The Complete Project Gutenberg Works of Jane Austen: A Linked Index of all PG Editions of Jane Austen
Austen, Jane
England -- Social life and customs -- Fiction; Love stories, English
Mrs. Morland was a very good woman, and wished to see her children
everything they ought to be; but her time was so much occupied in
lying-in and teaching the little ones, that her elder daughters were
inevitably left to shift for themselves; and it was not very wonderful
that Catherine, who had by nature nothing heroic about her, should
prefer cricket, baseball, riding on horseback, and running about
the country at the age of fourteen, to books--or at least books of
information--for, provided that nothing like useful knowledge could be
gained from them, provided they were all story and no reflection, she
had never any objection to books at all. But from fifteen to seventeen
she was in training for a heroine; she read all such works as heroines
must read to supply their memories with those quotations which are so
serviceable and so soothing in the vicissitudes of their eventful lives.
From Pope, she learnt to censure those who
"bear about the mockery of woe."
From Gray, that
"Many a flower is born to blush unseen,
"And waste its fragrance on the desert air."
From Thompson, that--
"It is a delightful task
"To teach the young idea how to shoot."
And from Shakespeare she gained a great store of information--amongst
the rest, that--
"Trifles light as air,
"Are, to the jealous, confirmation strong,
"As proofs of Holy Writ."
That
"The poor beetle, which we tread upon,
"In corporal sufferance feels a pang as great
"As when a giant dies."
And that a young woman in love always looks--
"like Patience on a monument
"Smiling at Grief."
So far her improvement was sufficient--and in many other points she came
on exceedingly well; for though she could not write sonnets, she brought
herself to read them; and though there seemed no chance of her throwing
a whole party into raptures by a prelude on the pianoforte, of her own
composition, she could listen to other people's performance with very
little fatigue. Her greatest deficiency was in the pencil--she had no
notion of drawing--not enough even to attempt a sketch of her lover's
profile, that she might be detected in the design. There she fell
miserably short of the true heroic height. At present she did not know
her own poverty, for she had no lover to portray. She had reached the
age of seventeen, without having seen one amiable youth who could call
forth her sensibility, without having inspired one real passion, and
without having excited even any admiration but what was very moderate
and very transient. This was strange indeed! But strange things may be
generally accounted for if their cause be fairly searched out. There was
not one lord in the neighbourhood; no--not even a baronet. There was not
one family among their acquaintance who had reared and supported a boy
accidentally found at their door--not one young man whose origin
was unknown. Her father had no ward, and the squire of the parish no
children.
Public-domain text, read in full here on John Shaqi.
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