The Complete Project Gutenberg Writings of Charles Dudley WarnerWarner, Charles Dudley
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The Complete Project Gutenberg Writings of Charles Dudley Warner
Warner, Charles Dudley
American literature -- 19th century; Literature -- Collections
I now see that I have left out many of the most moral elements.
Neither onions, parsnips, carrots, nor cabbages are here. I have
never seen a garden in the autumn before, without the uncouth cabbage
in it; but my garden gives the impression of a garden without a head.
The cabbage is the rose of Holland. I admire the force by which it
compacts its crisp leaves into a solid head. The secret of it would
be priceless to the world. We should see less expansive foreheads
with nothing within. Even the largest cabbages are not always the
best. But I mention these things, not from any sympathy I have with
the vegetables named, but to show how hard it is to go contrary to
the expectations of society. Society expects every man to have
certain things in his garden. Not to raise cabbage is as if one had
no pew in church. Perhaps we shall come some day to free churches
and free gardens; when I can show my neighbor through my tired
garden, at the end of the season, when skies are overcast, and brown
leaves are swirling down, and not mind if he does raise his eyebrows
when he observes, "Ah! I see you have none of this, and of that." At
present we want the moral courage to plant only what we need; to
spend only what will bring us peace, regardless of what is going on
over the fence. We are half ruined by conformity; but we should be
wholly ruined without it; and I presume I shall make a garden next
year that will be as popular as possible.
And this brings me to what I see may be a crisis in life. I begin to
feel the temptation of experiment. Agriculture, horticulture,
floriculture,--these are vast fields, into which one may wander away,
and never be seen more. It seemed to me a very simple thing, this
gardening; but it opens up astonishingly. It is like the infinite
possibilities in worsted-work. Polly sometimes says to me, "I wish
you would call at Bobbin's, and match that skein of worsted for me,
when you are in town." Time was, I used to accept such a commission
with alacrity and self-confidence. I went to Bobbin's, and asked one
of his young men, with easy indifference, to give me some of that.
The young man, who is as handsome a young man as ever I looked at,
and who appears to own the shop, and whose suave superciliousness
would be worth everything to a cabinet minister who wanted to repel
applicants for place, says, "I have n't an ounce: I have sent to
Paris, and I expect it every day. I have a good deal of difficulty
in getting that shade in my assortment." To think that he is in
communication with Paris, and perhaps with Persia! Respect for such
a being gives place to awe. I go to another shop, holding fast to my
scarlet clew. There I am shown a heap of stuff, with more colors and
shades than I had supposed existed in all the world. What a blaze of
distraction! I have been told to get as near the shade as I could;
and so I compare and contrast, till the whole thing seems to me about
of one color. But I can settle my mind on nothing. The affair
Public-domain text, read in full here on John Shaqi.
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