The Complete Project Gutenberg Writings of Charles Dudley WarnerWarner, Charles Dudley
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The Complete Project Gutenberg Writings of Charles Dudley Warner
Warner, Charles Dudley
American literature -- 19th century; Literature -- Collections
The log was white birch. The beautiful satin bark at once kindled
into a soft, pure, but brilliant flame, something like that of
naphtha. There is no other wood flame so rich, and it leaps up in a
joyous, spiritual way, as if glad to burn for the sake of burning.
Burning like a clear oil, it has none of the heaviness and fatness of
the pine and the balsam. Woodsmen are at a loss to account for its
intense and yet chaste flame, since the bark has no oily appearance.
The heat from it is fierce, and the light dazzling. It flares up
eagerly like young love, and then dies away; the wood does not keep
up the promise of the bark. The woodsmen, it is proper to say, have
not considered it in its relation to young love. In the remote
settlements the pine-knot is still the torch of courtship; it endures
to sit up by. The birch-bark has alliances with the world of
sentiment and of letters. The most poetical reputation of the North
American Indian floats in a canoe made of it; his picture-writing was
inscribed on it. It is the paper that nature furnishes for lovers in
the wilderness, who are enabled to convey a delicate sentiment by its
use, which is expressed neither in their ideas nor chirography. It
is inadequate for legal parchment, but does very well for deeds of
love, which are not meant usually to give a perfect title. With
care, it may be split into sheets as thin as the Chinese paper. It
is so beautiful to handle that it is a pity civilization cannot make
more use of it. But fancy articles manufactured from it are very
much like all ornamental work made of nature's perishable seeds,
leaves, cones, and dry twigs,--exquisite while the pretty fingers are
fashioning it, but soon growing shabby and cheap to the eye. And yet
there is a pathos in "dried things," whether they are displayed as
ornaments in some secluded home, or hidden religiously in bureau
drawers where profane eyes cannot see how white ties are growing
yellow and ink is fading from treasured letters, amid a faint and
discouraging perfume of ancient rose-leaves.
Public-domain text, read in full here on John Shaqi.
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