The Complete Project Gutenberg Writings of Charles Dudley WarnerWarner, Charles Dudley
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The Complete Project Gutenberg Writings of Charles Dudley Warner
Warner, Charles Dudley
American literature -- 19th century; Literature -- Collections
There isn't a finer or purer church than ours any where, inside and
outside Gothic to the last. The elevation of the nave gives it even
that "high-shouldered" appearance which seemed more than anything
else to impress Mr. Hawthorne in the cathedral at Amiens. I fancy
that for genuine high-shoulderness we are not exceeded by any church
in the city. Our chapel in the rear is as Gothic as the rest of it,
--a beautiful little edifice. The committee forgot to make any more
provision for ventilating that than the church, and it takes a pretty
well-seasoned Christian to stay in it long at a time. The
Sunday-school is held there, and it is thought to be best to accustom
the children to bad air before they go into the church. The poor little
dears shouldn't have the wickedness and impurity of this world break
on them too suddenly. If the stranger noticed any lack about our
church, it would be that of a spire. There is a place for one;
indeed, it was begun, and then the builders seem to have stopped,
with the notion that it would grow itself from such a good root. It
is a mistake however, to suppose that we do not know that the church
has what the profane here call a "stump-tail" appearance. But the
profane are as ignorant of history as they are of true Gothic. All
the Old World cathedrals were the work of centuries. That at Milan
is scarcely finished yet; the unfinished spires of the Cologne
cathedral are one of the best-known features of it. I doubt if it
would be in the Gothic spirit to finish a church at once. We can
tell cavilers that we shall have a spire at the proper time, and not
a minute before. It may depend a little upon what the Baptists do,
who are to build near us. I, for one, think we had better wait and
see how high the Baptist spire is before we run ours up. The church
is everything that could be desired inside. There is the nave, with
its lofty and beautiful arched ceiling; there are the side aisles,
and two elegant rows of stone pillars, stained so as to be a perfect
imitation of stucco; there is the apse, with its stained glass and
exquisite lines; and there is an organ-loft over the front entrance,
with a rose window. Nothing was wanting, so far as we could see,
except that we should adapt ourselves to the circumstances; and that
we have been trying to do ever since. It may be well to relate how
we do it, for the benefit of other inchoate Goths.
Public-domain text, read in full here on John Shaqi.
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