Regretting that we could see no more of St. John, that we could scarcely see our way through its dimly lighted streets, we found the ferry to Carleton, and a sleeping-car for Bangor. It was in the heart of the negro porter to cause us alarm by the intelligence that the customs officer would, search our baggage during the night. A search is a blow to one's self-respect, especially if one has anything dutiable. But as the porter might be an agent of our government in disguise, we preserved an appearance of philosophical indifference in his presence. It takes a sharp observer to tell innocence from assurance. During the night, awaking, I saw a great light. A man, crawling along the aisle of the car, and poking under the seats, had found my traveling-bag and was "going through" it. I felt a thrill of pride as I recognized in this crouching figure an officer of our government, and knew that I was in my native land. SUMMER IN A GARDEN and CALVIN A STUDY OF CHARACTER By Charles Dudley Warner INTRODUCTORY LETTER MY DEAR MR. FIELDS,--I did promise to write an Introduction to these charming papers but an Introduction,--what is it?--a sort of pilaster, put upon the face of a building for looks' sake, and usually flat,--very flat. Sometimes it may be called a caryatid, which is, as I understand it, a cruel device of architecture, representing a man or a woman, obliged to hold up upon his or her head or shoulders a structure which they did not build, and which could stand just as well without as with them. But an Introduction is more apt to be a pillar, such as one may see in Baalbec, standing up in the air all alone, with nothing on it, and with nothing for it to do. But an Introductory Letter is different. There is in that no formality, no assumption of function, no awkward propriety or dignity to be sustained. A letter at the opening of a book may be only a footpath, leading the curious to a favorable point of observation, and then leaving them to wander as they will. Sluggards have been sent to the ant for wisdom; but writers might better be sent to the spider, not because he works all night, and watches all day, but because he works unconsciously. He dare not even bring his work before his own eyes, but keeps it behind him, as if too much knowledge of what one is doing would spoil the delicacy and modesty of one's work. Almost all graceful and fanciful work is born like a dream, that comes noiselessly, and tarries silently, and goes as a bubble bursts. And yet somewhere work must come in,--real, well-considered work. Inness (the best American painter of Nature in her moods of real human feeling) once said, "No man can do anything in art, unless he has intuitions; but, between whiles, one must work hard in collecting the materials out of which intuitions are made." The truth could not be hit off better. Knowledge is the soil, and intuitions are the flowers which grow up out of it. The soil must be well enriched and worked.