The Complete Works of Brann, the Iconoclast — Volume 01Brann, William Cowper
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The Complete Works of Brann, the Iconoclast — Volume 01
Brann, William Cowper
Brann, William Cowper, 1855-1898; Essays; Reformers
Governor Fishback does not appear to have profited by
Pope's suggestion that "The proper study of mankind is
man," or he would know full well that the presence in a city
of prostitutes but serves to accentuate the dangers that
environ pure womanhood. He would know that they add
fuel to Lust's unholy fires, that thousands of them are
procuresses as well as prostitutes, and that one bad
woman can do more to corrupt her sex than can any
libertine since the days of Sir Launcelot. He would likewise
know that so perverse is the nature of man that he would
leave a harem filled with desirous houris more beautiful
than ever danced through Mohammedan dream of
Paradise, to dig pitfalls for the unwary feet of some
misshapen country wench who was striving to lead an
honest life. As a muley cow will turn from a manger filled
with new-mown hay, and wear out her thievish tongue
trying to coax a wisp of rotten straw through a crack in a
neighbor's barn, so will man turn from consenting Venus'
matchless charms to solicit scornful Dian.
What is it that is railroading so large a portion of the young
women to Hell? What causes so many to forsake
the "straight and narrow path" that is supposed to
lead to everlasting life, and seek the irremediable way of
eternal death? What mad phantasy is it that leads so many
wives to sacrifice the honor of their husbands and shame
their children? Is it evil inherent in the daughters of Eve
themselves? Is it lawless lust or force of circumstances
that adds legion after legion to the cohorts of shame? Or
has our boasted progress brought with it a suspicion that
female chastity is, after all, an overprized bauble--that what
is no crime against nature should be tolerated by this
eminently practical age? We have cast behind us the
myths and miracles, proven the absurdity of our ancestors'
most cherished traditions and brought their idols beneath
the iconoclastic hammer. In this general social and
intellectual house-cleaning have we consigned virtue to the
rubbish heap--or at best relegated it to the garret with the
spinning-wheel, hand-loom and other out-of-date trumpery?
Time was when a woman branded as a bawd hid her face
for shame, or consorted only with her kind; now, if she can
but become sufficiently notorious she goes upon the stage,
and men take their wives and daughters to see her play
"Camille" and kindred characters. This may signify much;
among other things that the courtesan is creeping into
social favor--even that a new code of morals is now
abuilding, in which she will be the grand exemplar. As
change is the order of the day, and what one age damns its
successor ofttimes deifies, who knows but an up-to-date
religion may yet be evolved with Bacchic revels for sacred
rites and a favorite prostitute for high priestess?
Public-domain text, read in full here on John Shaqi.
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