The Complete Works of Brann, the Iconoclast — Volume 01Brann, William Cowper
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The Complete Works of Brann, the Iconoclast — Volume 01
Brann, William Cowper
Brann, William Cowper, 1855-1898; Essays; Reformers
Trilby, the child of a bummy preacher and a bastard bar-
maid, was born and bred in the slum of the wickedest
city in the world. Little was to be expected of such
birth and breeding. We are not surprised that she regards
fornication as but a venial fault--like cigarette smoking--and
sins "capriciously, desultorily, more in a frolicsome spirit of
camaraderie than anything else." Girls so reared are apt to
be a trifle frolicsome. We are not shocked to see her
stripped stark naked in Carrel's atelier in the presence of
half a hundred hoodlums of the Latin quarter--seeming as
unconcerned as a society belle at opera or ball with half her
back exposed, her bust ready to spill itself out of her
corsage if she chance to stoop. We even feel that it is in
perfect accord with the eternal fitness of things when these
wild sprouts of Bohemia, "with kindly solicitude, help her on
with her clothes." We can even pause to admire the
experienced skill with which they put each garment in its
proper place--and deftly button it. That she should have
the ribald slang of the free-and-easy neighborhood at her
tongue's end and be destitute of delicacy as a young cow
might be expected; but we are hardly prepared to see one
grown up among such surroundings so unutterably stupid
as not to know when her companions are "guying" her.
Trilby croaking "Ben Bolt" for the edification of les trois
Angliches were a sight worthy of a lunatic asylum. It was
even more ridiculous than the social performance of that
other half-wit, Little Billee, in Carrel's atelier. Stupidity
covers even more sins than charity, hence we should not
judge Du Maurier's heroine too harshly. As weak intellects
yield readily to hypnotic power, Svengali had an easy
victim. I have no word of criticism for the poor creature. I
do not blame Du Maurier for drawing her as he found--or
imagined--her, nor can I blame popular preachers, "able
editors" and half-wit women for worshiping the freckled and
faulty grisette as a goddess; for does not Carlyle truly tell
us that "what we see, and can not see over, is good
as Infinity?" Still I cannot entertain an exalted opinion of
either the intelligence or morals of a people who will place
such a character on a pedestal and prostrate themselves
before it.
Public-domain text, read in full here on John Shaqi.
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