scarce become historic. The public marks and magnifies a great man's foibles, but forgets both the little fellow and his faults. Jeanjean may hide from the battle in a hollow log, and none hear of it; but let a Demosthenes lose his shield and the world cackles over it for two-and-twenty centuries. To digress for a moment, I believe the story of Demosthenes' cowardice as damnable a lie as that relating to Col. Ingersoll's surrender. Even in his day human vermin sought to wreck with falsehood those they feared. The world--unwisely I think--interests itself in the personality of a genius, and somewhat impudently invades his privacy. A young man may muster up sufficient moral courage to lie to his callers, and thus preserve the proprieties; but an aged valetudinarian who wants to get into a quiet nook and nurse himself, may show scant courtesy--even brush the "critic fly" of the genus Gosse out of doors with a hickory broom. Carlyle belonged to "the irritable race of poets," albeit he seldom imitated Pope's bad example and tortured his rugged ideas into oleaginous rhyme. There is a strange wild melody in all his work--what he would call "harmony in discord" suggesting that super-nervous temperament which is inseparable from the highest genius, and which degenerates so easily into acute neurosis--that "madness" to which wit is popularly supposed to be so "near allied." Such natures are aeolian harps acted upon, not by "the viewless air," but by a subtler, more impalpable power, which comes none know whence, and goes none know whither--one moment yielding soft melodies as of an angel's lute borne across sapphire seas, the next wailing like some lost soul or shrieking like Eumenides. The "self-poised," the "well-balanced" man, of whom you can safely predict what he will do under given conditions; the man who never bitterly disappoints you and makes you weep for very pity of his weakness, will never appall you by exhibitions of his strength. He may possess constructive talent, but never that creative power which we call genius because it suggests the genii. "No man is a hero to his valet," says the adage. Carlyle assumes this to be the fault of the latter--due to sawdust or other cheap filling in the head of the menial. Yet, may not the valet be wiser in this matter than the world? The hero, the greatest genius, is not always aflame with celestial fire, impelled by that mysterious power which comes from "beyond the clouds"-- may be, for most part, the commonest kind of clay, a creature in nowise to be worshiped. The eagle, which soars so proudly at the sun, will return to its eyrie with drooping wing; the condor, whose shadow falls from afar on Chimborazo's alabaster brow, cannot live always in the empyrean, a thing ethereal, and back to earth is no better than a carrion crow. To genius more than to aught else, perhaps, distance lends enchantment. While we see only the bold outline of the Titan, we are content to worship--