The technical terms of every profession and subdivision of science come trippingly to his tongue. But even the dictionary is not large enough for him, and he extends it this way and that, his daring neology creating consternation among the critic flies and other ephemera. He wrote as he thought, hence his style could not be other than natural. That of Aytoun was formed in the schools, principally modeled by masters--made to fit a procrustean bed--and was, therefore, eminently artificial. If we apply the term "unnatural" to the matter instead of the manner of Carlyle and Tennyson, then away with genius, for intellectual originality is tabooed!--no man is privileged to think his own thoughts. That is the law nowadays nowhere except in the sanctum of the Gal-Dal News, where Col. Jenkins takes the editorial eyas and teaches it to soar ln exact imitation of himself. Whether by the "Spasmodic" method or otherwise, Carlyle dragged more true orients out of the depths than did any of his contemporaries; and that is saying much, for "there were giants in those days," and they were neither few nor far between. The intellectual glory of the first half of the present century was scarce eclipsed by the Elizabethan era. It was in very truth "a feast of reason and a flow of soul." Goethe and "Jean Paul" were putting the finishing touches to their work while Carlyle, then a young man, was striving to interpret these so strange appearances to the English-speaking world, to hammer some small appreciation of German literature into the autotheistic British head. Tom Moore, sweetest of mere singers, and Lord Byron, prince of poets, were but five and seven years respectively his seniors. He saw the beginning and the end of their literary labors, as of those of Macaulay and Mill, Darwin, Disraeli and Dickens. Much of his best work was done ere the death of Walter Scott, and he might have played as a school boy with the ill-fated Shelley. He had just begun his long life-labor when Longfellow and Tennyson, Hugo and Wagner came upon the scene, and together they wrought wisely and well in that mighty seed-field which is the world! What a galaxy of intellectual gods!--now all gone, returned home to High Olympus--the weird land left to the Alfred Austins, the William Dean Howells and the Ian McLarens! Gone, but not forgotten; yet the world will in time forget-- even the amaranthine flowers must fade. Of them all we see but one star that blazes the brighter as the years run on, and that one long mistaken for a mere erratic comet-- sans substance, or unformed nebulae hanging like a splotch of semi-luminous vapor in a great void. Year by year the voice of Carlyle rings clearer and clearer from the "Eternal Silence." And as we listen with rapt attention to the music of the spheres becoming audible, intelligible to our dull ear--the Waterloo and Lisbon earthquakes, the Revolutions and the Warring Religions, all