And he saw the dark tragedies of this remote world. Liberata carrying her dead child on her head to the burial place. No laws or literature for her, poor woman: her baby was dead and her reason was gone. He saw Riccangela, the widow, on the beach, with her large rough hands, pouring forth her heart in a wild monody over the remains of her puny boy, who was drowned, while the homicidal sea chanted a lugubrious accompaniment or mocked the agony of the song. George sought the meaning and the key to life's mysteries and found them not. Subjective study and spiritual contemplation drove him mad. They had driven his uncle Demetrious mad. He recoiled from them and plunged into life as he found it, endeavoring to extract from it the honey of happiness, or at least, immunity from misery. If carnalism could furnish content, one would think George would have found it. Rich to opulence, young, idle, he met Hippolyte, "a compound of pale amber and dull gold in which were mingled perhaps a few tints of faded roses." He won her and subjected her, "the bloodless, wounded creature who used to submit with profound astonishment, the ignorant and frightened creature who had given him that fierce and divine spectacle--the agony of modesty felled by vicious passion." He idolized her and idealized her in the struggle for perfect bliss. He took her to the deserted abbey and placed on "the summit of the high marble candelabra which had not heard the voice of the light for centuries," where she burned before his eye in the inextinguishable and silent flame of her love, and, as he believed, illuminating the meditations of his soul. Folly! His apotheosis was a farce. She developed, but not spiritually. What he supposed was a pure flame of love proved to be a base erotic fever. The bloom of pudicity was brushed off. She acquired a strange power over him; she, the once innocent and frightened creature. "She possessed the infallible science and knew her lover's most secret and subtle sensibilities and knew how to move them with a marvelous intuition of the physical conditions that depend on them and their corresponding sensations and their association and their alternatives." And from the thing of beauty and light, seen with enraptured eyes as she stood "on the summit of the marble candelabra which had not heard the voice of the light for centuries, she became a loved and hated thing, "the flower of concupiscence," "an instrument of low lasciviousness." The union of these two, perfect in all outward appearances, blessed with love and leisure, beauty and youth, and all that wealth could buy, was a mocking and a delusion because lacking in spirituality, because unsanctified and unholy. It was a monstrous tragedy, this union, presented on a stage of ashes over a volcano. (Unions in polite society, where forms are observed, laws obeyed and customs followed, but where the moving impulse is sordid, where the marriage is for money or for