Mintonville, Ky., not only sticks to its gods, but insists on clinging with a death grip to its good old orthodox devil, horns, hoofs and tail. The Rev. Gilham of the Christian church of that city, who has doubtless discovered recently that that unimportant portion of the world which moves and has its being outside of Mintonville had several centuries back diplomatically dropped the devil question, undertook to inform his flock that he, too had arrived at the conclusion that his Satanic Majesty was a myth, a delusion and a snare, a howling farce. The reverend gentleman's intentions were good, but he had reckoned without his congregation. They had always had a devil who was responsible for their pecadilloes; he was a convenient little institution to have around when the pecadilloes were a little more numerous than was compatible with the moral standard of Mintonville, and they realized that if the devil were removed from the Mintonville directory they would have to reform or shoulder their own shortcomings. Either course was quite too sad to contemplate. In fact the Mintonvillians positively would not contemplate them. Give them their devil and they could safely straddle between the horns of their dilemma. Remove their devil and they were undone. But Parson Gilham asserted that there was no devil. Mintonville had consequently to choose between their devil and their parson. The world could furnish more parsons but it couldn't furnish more devils. It was the parson and the devil for it and the red downed the black--the parson had to go. The reverend gentleman was ejected from his sacred office with scorn and contumely and likewise a number of pistol shots. It is to be supposed that the devil now reigns triumphant in Mintonville, while Gilham smooths down his clerical coat-tails from the horizontal to the proper perpendicular and wonders if he has not, like the proverbial parrot, talked too damned much. * * * THE FOOTLIGHT FAVORITES. BY ETHELYN LESLIE HUSTON. In the December ICONOCLAST there appeared a tirade on "The Stage and Stage Degenerates" that was as sweeping in its assertions as it was narrow in its views. The writer revels in reminiscences of his newspaper associations with the cheap beer-drinking, sand-floor class, swings their vices and vulgarities before the public, describes them as garbed in "loud patterned" trousers and snow- white overcoats and epitomizes the whole thing as an Augean stable, impure, impossible, vile, vulgar and bad. He then tells us calmly that "these are the representatives of their profession, so far as America is concerned," and he gives them to us as the "middle class of the people of the footlights."