The Complete Works of Brann, the Iconoclast — Volume 10Brann, William Cowper
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The Complete Works of Brann, the Iconoclast — Volume 10
Brann, William Cowper
Brann, William Cowper, 1855-1898; Essays; Reformers
but qui voulez vous! The ratio on the stage is little larger than
that of the world's middle class and not at all larger than that
of the world's society women. I also object to those wild
fanatics who would "elevate the stage," not because it would be
Herculean labor, but because the aforesaid fanatics would find
larger and more fruitful fields for their efforts in the shadow
of their own church spire. Let them leave the women of the
footlights alone and turn their attention to the women in the
boxes. It would give a bored public relief and be distinctly and
beautifully amusing--as an experiment. Waco, Texas, December 11,
1897.
* * *
GINX'S BABY.
BY WILLIAM MARION REEDY.
In an old book store I found the other day, a little book that
should not have been forgotten. It was written almost
twenty-eight years ago by a man named Jenkins, an Englishman,
born in India, and educated in part, in the United States. The
name of the book is "Ginx's Baby; His Birth and Other
Misfortunes."
With the remarkable growth of altruism or humanitarianism in the
last thirty years, with the application of sincere sympathy as
one of the possible solvents of the mystery of misery, it is
strange that this book should have passed from the minds of men.
The book is a true satire. That is to say its irony is excited
for the benefit of mankind. The pessimism of the story, its note
of despair, is in reality, a summons to man to do better by his
brother. Underlying its bitterness there is such a gentleness of
heart as must uplift the reader's own.
The author has the great gift of humor, which all true pessimists
possess, and none more than Schopenhauer. He loves humanity
though he scourges it. He loves, above all, the little children
whom Christ loved, as typifying the heart perfect in innocence.
Somewhat the quality of Dickens is in his method of thought, and
his turns of expression; but he is not the evident artist that
Dickens is. He does not seek opportunity to revel in mere
rhetoric. He goes for the heart of his subject and his literary
charms are displayed quite incidentally to his progress thereto.
His stylism does not clog his story or cumber his argument. The
result is that he produced a tract of the Church of Man which is
a powerful argument for a realization in Man of the Church of
God. His book is superbly human and "Ginx's Baby" deserves
immortality with other dream- children of good men's hearts and
minds in story and in song.
Room for Ginx's Baby in the gallery of undying children; with
Marjorie Fleming, Sir Walter's "Bonnie, Wee Coodlin' Doo," with
Pater's "Child in the House," with Ouida's "Bebe," with Mrs.
Burnett's "Fauntleroy," with Barrie's "Sentimental Tommy," with
all the little ones in the books of Dickens and the poems and
stories of Eugene Field.
Public-domain text, read in full here on John Shaqi.
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