She strikes me, in this, as a strange blend of the comic and the tragic. The world neglected Burton. He almost deserved it; so great a sacrifice as his wife consecrated of her life to him would compensate for the loss of anything. You admire it; but you catch yourself suspecting that this consecration must have been, at times, an awful bore to him. He was unfaithful to her, it is said, with ethnological intent, in all the tribes of the earth. He had no morals to speak of. He had no religion, having studied all. He was a pagan beyond redemption, though his wife maintained that he was a Catholic. Unfortunately, for her, his masterpiece refutes her overwhelmingly. He wrote the most remarkable poem of the last forty years, one that is to be classed only with Tennyson's "In Memoriam" and the "Rubaiyat" of Omar Khayyam. By this poem, and, probably, by the revelation of the love he excited in one woman, he will live. This poem expresses himself, and his conclusion, after years spent in wandering, fighting, studying languages, customs and religions. To understand the man and his poem, we must understand what he did, and since the time of the Old Romance, no man surpassed him in "deeds of derring-do." He was a modern, a very modern, Knight of the Round Table. He was the possessor of innumerable abstruse, and outlandish accomplishments. He was a scientist, a linguist, a poet, a geographer, a roughly clever diplomat, a fighter, a man with a polyhedric personality, that caught and gave, something from and to every one. And he died dissatisfied, at Trieste, in 1890, at the age of sixty-nine, and Swinburne sang a dirge for him that was almost worth dying for.