The Complete Works of Brann, the Iconoclast — Volume 12Brann, William Cowper
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The Complete Works of Brann, the Iconoclast — Volume 12
Brann, William Cowper
Brann, William Cowper, 1855-1898; Essays; Reformers
of man hath never learned a language. Those we call
master-poets and crown with immortelles but caught and
fixed some far off echo of deep calling unto deep--the lines
of Byron or a Burns, a Tasso or a Tennyson are but the
half-articulate cries of a soul stifling with the splendor of
its own imaginings.
But we were speaking of progress when diverted by the
discordant clamor of featherless crows. I am no pecterist
with my face ever to the past. I realize that there has
been no era without its burden of sorrow, no time without
its fathomless lake of tears; that the past seems more
glorious than the present because the heart casts a glamour
over days that are dead. From the dust and glare of the
noon of life we cast regretful glances back to the dewy
morn, and as eve creeps on the shadows reach further
back until they link the cradle and the grave and all is
dark. I would not blot from heaven the star of hope, nor
mock one earnest effort of mankind; but I would warn
this world that its ideals are all wrong, that it's going
forward backwards, is chasing foolish rainbows that lead
to barbarism. Palaces and gold, fame and power--these
by thy gods, O! Israel--mere fly-specked eidolons worthy
no man's worship.
. . .
When we have adopted higher ideals; when success is
no longer a synonym for vain show; when the man of
millions who toils and wails for more is considered mad;
when we realize that all the world's wealth cannot equal
the splendor of the sunset sky 'neath which the poorest
trudge, the astral fire that flames at night's high noon
above the meanest hut; that only God's omnipotence can
recall one wasted hour, restore the bloom of youth, or bid
the loved and lost return to glad our desolate hearts with
the lambent light of eyes that haunt all our waking
dreams, the music of laughter that has become a wailing
cry in memory's desolate halls; when we cease chasing
lying rainbows in the empty realm of Make-Believe and
learn for a verity that the kendal green of the workman
may be more worthy of honor than the purple of the prince
--why then the world will have no further need of iconoclasts
to frankly rehearse its faults, and my words of censure
will be transformed into paeans of praise.
"Sweet as the smile when fond lovers meet
And soft as their parting tear."
Public-domain text, read in full here on John Shaqi.
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