contrasts of sweetness and salacity, of eloquence and bombast, of purity and pornography, of jewel-phrases and gutter slang, excerpts of enthralling poetry and brothel billingsgate. He pointed his morals with putridity and he adorned his really beautiful style with barbarities and banalities which make one shudder. He set his fine thoughts like jewels in compost. He ravished the classics to mix them up with sentences that stunk of the stews. The man seemed to indulge in special flights of poesy with no other purpose than to achieve a disgusting anti-climax of muckery and mockery. The person who read Brann intelligently was impressed most by this habit of irony in the Waconian. It was of the essence of his iconoclasm. He had something in his effects in this line that was piteous. There was no denying his appreciation of the pure air, of the beautiful in life and nature, of the truth as thinkers see and feel it. It seemed to me that when he had soared up towards the ever vanishing ideal, he reached a point whereat he turned in disgust and hurled himself madly back to the dungiest part of this dungy earth. There was a mighty dissatisfaction, even a despair, in Brann, and a touch of sadness in his writing as in his face. The more I read of his deliberate pandering to the literarily excrementitious appetite, the more I saw, or thought I saw, that he was afflicted with a mighty ennui, and was chiefly trying to escape from his own torture as one who knew not whether solace was to be found either in the spiritual or the earthly nature of man. Such a one as he might have been expected to take up any cause that assailed the existing condition of things politically and sociologically. While he was an ascetic his asceticism was only a wreaking of his own bitterness upon himself. He was a man in whom strong emotions were easily excited and he put into his writing all the passion which he suppressed in his dealings with his fellows socially. He never felt malice towards people whom he assailed most maliciously. He saw them simply as representatives of some fault in our social or political system, and he felt that he was doing his duty by his own conception of what the world should be, by pillorying them as object lessons of characters to be eliminated in his good time coming. When he saw a foul wrong he saw it personified in some man or woman. Then he went abroad in search of foul things to say about it. And he found them and he hurled them at the object, and he polluted the atmosphere for a mile around. When he wrote about the abstractions of poetry and philosophy he wrote with a sweeping, swinging rhythm that thrilled anyone. He was master of the diapason. His ear was not attuned particularly to minor chords. He loved cyclonic clashes of words and he would strike out fecal flashes to illuminate them. His correggiosity was at times overpowering. His vocabulary overcame him often, bore him away from his thought and landed him in