The Complete Works of Brann, the Iconoclast — Volume 12Brann, William Cowper
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The Complete Works of Brann, the Iconoclast — Volume 12
Brann, William Cowper
Brann, William Cowper, 1855-1898; Essays; Reformers
criticism, outside of the diabolism of blasting reputations
for virtue, the law provides adequate remedy, and if it
does not, then it were idle to say that the exasperated
victims of criticism should not have recourse to their fists,
although decent criticism, free from malice, addressed to
people in position semi-public would not seem to call for
violence under pretense of resenting something much worse.
As a rule I should say that the criticism which does not
call for extreme and desperate punishment calls for no
notice at all, or if it does, in the case of men, there are
laws, civil and criminal, that cover the case, with ample
punishment for the offense. This is the practical view of
the remedies against "carrion journalism."
A public sentiment strong enough to support private
vengeance is strong enough to support the law. There
are laws for the punishment of slander. More rigorous
laws could be enforced. If the people hate slanderers
bitterly enough to kill them, then they should hate them
enough to see that the laws against slander are enforced.
The moral sentiment that can sustain the one could sustain
the other. But the individual execution of vengeance
is a turning away from the law. It is the fostering of the
bully and the killer for drunken pastime. It is a bulwark
for boodlers, blackguards, frauds and lechers. It gives
rein to individual passion without limit. Such chivalry is
barbarism.--Pasquin.
BRANN, THE FOOL.
BY ELBERT HUBBARD, EDITOR OF THE PHILISTINE.
It's a grave subject. Brann is dead. Brann was a
fool. The fools were the wisest men at court; and
Shakespeare, who dearly loved a fool, placed his wisest
sayings into the mouths of men who wore the motley.
When he adorned a man with a cap and bells it was as
though he had given bonds for both that man's humanity
and intelligence. Neither Shakespeare nor any other
writer of books ever dared to depart so violently from
truth as to picture a fool whose heart was filled with
perfidy.
The fool is not malicious. Stupid people may think
he is, because his language is charged with the lightning's
flash; but they are the people who do not know the
difference between an incubator and an egg plant.
Touchstone, with unfailing loyalty, follows his master
with quip and quirk, into exile. When all, even his
daughters, have forsaken King Lear, the fool bares himself
to the storm and covers the shaking old man with his
own cloak. And when in our own day we meet the avatars
of Trinculo, Costard, Mercutio and Jacques, we find they
are men of tender susceptibilities, generous hearts and
intellects keen as a rapier's point.
Brann was a fool.
Brann shook his cap, flourished his bauble, gave a toss
to that fine head, and with tongue in cheek, asked
questions and propounded conundrums that stupid hypocrisy
could not answer. So they killed Brann.
. . .
Brann was born in obscurity. Very early he was cast
upon the rocks and nourished at the she-wolf's teat.
Public-domain text, read in full here on John Shaqi.
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