The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
"Dear Mack--I left you slumbering so soundly
that, by noon, when you waken, I hope, in your
refreshed state, you will look more tolerantly on my
intentions as partially confided to you this night. I
will not see you here again to say good-by. I
wanted to, but was afraid to 'rouse the sleeping
lion.' I will not close my eyes to-night--fact is, I
haven't time. Our serenade at Josie's was a
prearranged signal by which she is to be ready and at
the station for the five morning train. You may
remember the lighting of three consecutive matches
at her window before the igniting of her lamp.
That meant, 'Thrice dearest one, I'll meet thee at
the depot at four-thirty sharp.' So, my dear Mack,
this is to inform you that, even as you read, Josie
and I have eloped. It is all the old man's fault, yet
I forgive him. Hope he'll return the favor. Josie
predicts he will, inside of a week--or two weeks
anyhow. Good-by, Mack, old boy; and let a fellow
down as easy as you can. Affectionately,
"BERT."
"Heavens!" exclaimed John, stifling the note in
his hand and stalking tragically around the room.
"Can it be possible that I have nursed a frozen
viper? An ingrate? A wolf in sheep's clothing?
An orang-outang in gent's furnishings?"
"Was you calling me, sir?" asked a voice at the
door. It was the janitor.
"No!" thundered John; "Quit my sight! get out
of my way! No, no, Thompson, I don't mean
that," he called after him. "Here's a half-dollar
for you, and I want you to lock up the office, and
tell anybody that wants to see me that I've been
set upon, and sacked and assassinated in cold blood;
and I've fled to my father's in the country, and am
lying there in the convulsions of dissolution, babbling
of green fields and running brooks, and thirsting
for the life of every woman that comes in gunshot!"
And then, more like a confirmed invalid
than a man in the strength and pride of his prime,
he crept down into the street again, and thence back
to his hotel.
Dejectedly and painfully climbing to his room, he
encountered, on the landing above, a little woman
in a jaunty dusting-cap and a trim habit of crisp
muslin. He tried to evade her, but in vain. She
looked him squarely in the face--occasioning him
the dubious impression of either needing shaving
very badly, or having egg-stains on his chin.
"You're the gentleman in Number II, I believe?
Why, Mr. McKinney, are you ill?"
He nodded confusedly.
"Mr. McKinney is your name, I think," she
queried, with a pretty elevation of the eyebrows.
"Yes, ma'am," said John rather abjectly. "You
see, ma'am--But I beg pardon," he went on
stammeringly, and with a very awkward bow--"I beg
pardon, but I am addressing--ah--the--ah--the--"
"You are addressing the new landlady," she
interpolated pleasantly. "Mrs. Miller is my name. I
think we should be friends, Mr. McKinney, since I
hear that you are one of the oldest patrons of the
house."
Public-domain text, read in full here on John Shaqi.
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