The Complete Works of James Whitcomb Riley — Volume 10Riley, James Whitcomb
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The Complete Works of James Whitcomb Riley — Volume 10
Riley, James Whitcomb
American essays; American poetry; Short stories, American
"In this head," said the Professor, straddling
his malleable fingers across the young man's bumpy
brow--"In this head we find Ideality large--abnormally
large, in fact; thurby indicating--taken in
conjunction with a like development of the perceptive
qualities--language following, as well, in the
prominent eye--thurby indicating, I say, our
subject as especially endowed with a love for the
beautiful--the sublime--the elevating--the refined and
delicate--the lofty and superb--in nature, and in all
the sublimated attributes of the human heart and
beatific soul. In fact, we find this young man
possessed of such natural gifts as would befit him for
the exalted career of the sculptor, the actor, the
artist, or the poet--any ideal calling; in fact, any
calling but a practical, matter-of-fact vocation;
though in poetry he would seem to best succeed."
"Well," said my friend seriously, "he's FEELING
for the boy!" Then laughingly: "Hedrick HAS written
some rhymes for the county papers, and Sweeney
once introduced him, at an Old Settlers' Meeting,
as 'The Best Poet in Center Township,' and never
cracked a smile! Always after each other that way,
but the best friends in the world. SWEENEY'S strong
suit is elocution. He has a native ability that way
by no means ordinary, but even that gift he abuses
and distorts simply to produce grotesque, and oftentimes,
ridiculous effects. For instance, nothing
more delights him than to 'loathfully' consent to
answer a request, at The Mite Society, some evening,
for 'an appropriate selection,' and then, with
an elaborate introduction of the same, and an
exalted tribute to the refined genius of the author,
proceed with a most gruesome rendition of 'Alonzo
The Brave and The Fair Imogene,' in a way to
coagulate the blood and curl the hair of his fair
listeners with abject terror. Pale as a corpse, you
know, and with that cadaverous face, lit with those
malignant-looking eyes, his slender figure, and his
long thin legs and arms and hands, and his whole
diabolical talent and adroitness brought into play--
why, I want to say to you, it's enough to scare 'em
to death! Never a smile from him, though, till he
and Hedrick are safe out into the night again--
then, of course, they hug each other and howl
over it like Modocs! But pardon; I'm interrupting
the lecture. Listen."
"A lack of continuity, however," continued the
Professor, "and an undue love of approbation,
would, measurably, at least, tend to retard the
young man's progress toward the consummation of
any loftier ambition, I fear; yet as we have intimated,
if the subject were appropriately educated
to the need's demand, he could doubtless produce
a high order of both prose and poetry--especially
the latter--though he could very illy bear being
laughed at for his pains."
"He's dead wrong there," said my friend;
"Hedrick enjoys being laughed at; he's used to it--gets
fat on it!"
Public-domain text, read in full here on John Shaqi.
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