The Complete Works of Nathaniel Hawthorne, Appendix to Volume XII: Tales, Sketches, and other Papers by Nathaniel Hawthorne with a Biographical Sketch by George Parsons Lathrop: Biographical Sketch of Nathaniel HawthorneLathrop, George Parsons
General
The Complete Works of Nathaniel Hawthorne, Appendix to Volume XII: Tales, Sketches, and other Papers by Nathaniel Hawthorne with a Biographical Sketch by George Parsons Lathrop: Biographical Sketch of Nathaniel Hawthorne
Lathrop, George Parsons
Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
The shock of such an accident was by no means the right sort of tonic
for a man of Hawthorne's sensitive disposition when he was already
feeble and almost ill. In April, 1862, he had been to Washington, and
the things that impressed him there were noted down in an "Atlantic
Monthly" paper, entitled "Chiefly About War Matters." At Washington,
also, Leutze painted a portrait of him for General Pierce. In July, he
took a brief trip with his son to the Maine coast, and began a new
journal. There were no other changes of scene for him; the monotony of
his life at The Wayside was seldom broken. That this period was for him
one of unmitigated gloom cannot truthfully be predicated; he enjoyed
his home, he had the society of his wife and children; he had many small
and quiet pleasures. But there was likewise much to make him sorrowful,
and the tide of vitality was steadily ebbing away. In May, 1863, James
Russell Lowell invited him to Elmwood, and Hawthorne agreed to go, but
he was finally prevented from doing so by a troublesome cold. The slow
and mysterious disease, which was to prove fatal within a year,
continued to make inroads upon his constitution. After the publication
of "Our Old Home," in the autumn of 1863, there is no certain record of
his condition or his proceedings, beyond this, that he went on
declining, and that--having abandoned the two preceding phases of his
new fiction--he attempted to write the resultant form of it, which was
to have been brought out as "The Dolliver Romance."
Although the title had not yet been determined upon, he consented to
begin a serial publication of the work in the "Atlantic Monthly" for
January, 1864. But he wrote to Mr. Fields: "I don't see much probability
of my having the first chapter of the Romance ready so soon as you want
it. There are two or three chapters ready to be written, but I am not
yet robust enough to begin, and I feel as if I should never carry it
through.... I can think of no title for the unborn Romance. Always
heretofore I have waited till it was quite complete, before attempting
to name it, and I fear I shall have to do so now." On the 1st of
December, he dispatched the manuscript of the first chapter, with the
title of the whole. But he could not follow it up with more, and wrote,
about the middle of January, 1864: "I am not quite up to writing yet,
but shall make an effort as soon as I see any hope of success." At the
end of February: "I hardly know what to say to the public about this
abortive Romance, though I know pretty well what the case will be. I
shall never finish it..., I cannot finish it unless a great change comes
over me; and if I make too great an effort to do so, it will be my
death." From this time on he accomplished no work which he was willing
to send to the press, although he had among his papers the two
fragmentary scenes from "The Dolliver Romance" that were posthumously
printed.
Public-domain text, read in full here on John Shaqi.
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