The Complete Works of Nathaniel Hawthorne, Appendix to Volume XII: Tales, Sketches, and other Papers by Nathaniel Hawthorne with a Biographical Sketch by George Parsons Lathrop: Biographical Sketch of Nathaniel HawthorneLathrop, George Parsons
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The Complete Works of Nathaniel Hawthorne, Appendix to Volume XII: Tales, Sketches, and other Papers by Nathaniel Hawthorne with a Biographical Sketch by George Parsons Lathrop: Biographical Sketch of Nathaniel Hawthorne
Lathrop, George Parsons
Hawthorne, Nathaniel, 1804-1864; Novelists, American -- 19th century -- Biography
"For the one face I looked for was not there,
The one low voice was mute;
Only an unseen presence filled the air,
And baffled my pursuit.
"Now I look back, and meadow, manse, and stream
Dimly my thought defines;
I only see--a dream within a dream--
The hill-top hearsed with pines.
"I only hear above his place of rest
Their tender undertone,
The infinite longings of a troubled breast,
The voice so like his own.
"There in seclusion and remote from men
The wizard hand lies cold,
Which at its topmost speed let fall the pen,
And left the tale half told.
"Ah, who shall lift that wand of magic power,
And the lost clue regain?
The unfinished window in Aladdin's tower
Unfinished must remain!"
V.
This narrative of his career, in one sense so simple, so uneventful, has
brought chiefly to the front, as we have followed it, a phase under
which Hawthorne appears the most like other men; with motives easily
understood, wishing to take his full share in human existence and its
responsibilities; devoted in his domestic relations. Moderately
ambitious of worldly welfare, but in poverty uncomplaining, he is so
coolly practical in his view that he scarcely alludes to the products of
his genius except as they may bear upon his material progress. Even this
much of the character is uncommon, because of its sterling tone, the
large, sustained manliness, and the success with which in the main it
keeps itself firmly balanced; but it is a character not difficult to
grasp, and one that appeals to every observer. It leaves out a great
deal, however. The artist is absent from it. Neither is that essential
mystery of organization included which held these elements together,
united them with something of import far different, and converted the
whole nature into a most extraordinary one, lifting it to a plane high
above that on which it might, at first, seem to rest.
Public-domain text, read in full here on John Shaqi.
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