The Complete Works of Richard Crashaw, Volume ICrashaw, Richard
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The Complete Works of Richard Crashaw, Volume I
Crashaw, Richard
English poetry -- Early modern, 1500-1700
Will we strow vpon it. 65
Though our sweets cannot make
It sweeter, they can take
Themselues new sweetness from it.
Maria, men and angels sing,
Maria, mother of our King. 70
Live, rosy princesse, live! and may the bright
Crown of a most incomparable light
Embrace thy radiant browes. O may the best
Of euerlasting ioyes bath thy white brest.
Live, our chast loue, the holy mirth 75
Of Heau'n; the humble pride of Earth.
Liue, crown of woemen; queen of men;
Liue, mistresse of our song. And when
Our weak desires haue done their best,
Sweet angels come, and sing the rest. 80
NOTES AND ILLUSTRATIONS.
The heading in the SANCROFT MS. is 'On the Assumption of the Virgin
Marie.' In line 5 it reads 'whil'st,' and so in line 43: line 7, 'againe
th' immortal Dove:' line 12, our text (1652) reads 'but;' we prefer
'saue' of 1648 and the MS.: line 30, our text (1652) misprints 'heauy'
for 'leavy' of 1648: line 42, the MS. reads 'great:' line 47, 'give' for
'be;' adopted: line 53, 'eyes' for 'ioyes;' adopted: line 57, 'sacred:'
line 76, 'bragg:' line 77, '_praise_ of women, _pride_ of men.'
By an unaccountable inadvertence, our text (1652) omits lines 47-56.
They are restored from 1648: they also appear in 1670. Line 18 in 1648
reads 'Come, come away:' in 1670 it is 'Come away, come away;' but this
edition strangely, but characteristically, omits lines 19-34; and
TURNBULL, following it, though pronounced by himself 'the most
inaccurate of all' (Preliminary Observations, p. xi. of his edition),
has overlooked them. Confer, for a quaint parallel with these lines
(19-34), our JOSEPH FLETCHER. It may also be noted here that TURNBULL
betrays his habitual use of his self-condemned text of 1670 by
misreading in line 12, 'No sweets since thou art wanting here;' so
converting the fine compliment into ungrammatical nonsense. Earlier
also (line 3) he similarly reads, after the same text, 'light' for
'earth.' So too in line 7 he reads 'She's call'd again; hark! how th'
immortall dove:' and line 42, for the favourite 'dread' of our Poet the
weaker 'great,' as _supra_: and the following line 63 omits 'the:' line
64, 'our:' line 65 reads 'We'll:' line 76, 'and' for 'the.' On lines
9-10, cf. Song of Solomon, ii. 10-13. G.
UPON FIVE PIOVS AND LEARNED DISCOURSES:
BY ROBERT SHELFORD.[53]
Public-domain text, read in full here on John Shaqi.
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