condemnation farther, and so the great Scholar put him right on the well-known text. [18] See Professor Mayor's 'Nicholas Ferrar' (1855), pp. vi. vii. 330. He has satisfied us that Crashaw was not the author of the Epitaph on Nicholas Ferrar, as Sancroft supposed. See p. 144. [19] His reading included Hebrew, Greek, Latin, Italian, Spanish. His 'exercises' were 'Poetry, Drawing, Limming, Graving' ('exercises of his curious invention and sudden fancy'). See our vol. i. p. xlvii. [20] 'Pope Alexander the Seventh and the College of Cardinals.' By John Bargrave, D.D., Canon of Canterbury [1662-1680]. With a Catalogue of Dr. Bargrave's Museum. Edited by J.C. Robertson, M.A., Canon of Canterbury. Camden Society, 1867, 4to. Todd, in his Milton (i. 250-1), first quoted the above from the MS. [21] Crashaw's name is duly entered in the list of Converts of the 1648-9 edition of Dr. Carier's 'Missive to his Majesty of Great Britain ... containing the Motives of his Conversion to Catholike Religion'--thus: 'Mr. Richard Crashaw, Master of Arts of Peterhouse, Cambridge, now Secretary to a Cardinall in Rome, well known in England for his excellent and ingenious Poems.' The Countess of Denbigh is also in the list. [22] In its place (vol. i. p. 234) an Epitaph is headed 'Vpon Doctor Brooke.' This may possibly have been Brook of the Charterhouse; but I had thought it the brother of Christopher Brook (or Brooke)--Dr. Samuel Brooke, the associate of Dr. Donne, and author of a dainty little poem on 'Tears.' I am not aware that the Master of the Charterhouse was 'Doctor.' But his name is spelled Brooks in 'Domus Carthusiana,' p. 139. With reference to 'Priscianus' and 'Stomachus' and 'Hymn to Venus,' &c., two things are noticeable: (1) that earlier Crashaw was of the 'earth earthy,' as much as any of his contemporary poets;--his 'Royal' and other early poetry (as above) is heathenish almost--in strange and suggestive contrast with his later, when every atom of him was religious: (2) that he was not without humour or power of satire. It is a man's loss to be without humour--he has a poorer nature if he be without it; and for myself, I relish the human-ness of some of Crashaw's earlier Verse, as distinguished from his after intensely-unearthly spiritual Poetry. [23] The following entry from the Admission-Book of Pembroke College refers to Crashaw's Tournay: 'Mar. 1, 1620. Joannes Turney, Cantianus, annos habens [blank] admissus est sizator sub custodia Mri Duncon.' In another account of the Fellows of Pembroke by Attwood in continuation of Bishop Wren is this: 'Joannes Tourney, Cantianus, scholaris Collegii Mro Vaughan [_i.e._ 20 Oct. 1627] titulum obtinet eodem anno. An. 1632 Prædicator Academiæ. An. 1634, Thesaurarius Junior et S. Theologiæ Baccalaureus. Thesaurarius Senior an. 1635, et Attornatus Collegii cum Mro Vaughan in negotiis collegium quocunque modo spectantibus.'