The Complete Works of William ShakespeareShakespeare, William
General
The Complete Works of William Shakespeare
Shakespeare, William
English drama -- Early modern and Elizabethan, 1500-1600
ENOBARBUS.
I will tell you.
The barge she sat in, like a burnished throne,
Burned on the water. The poop was beaten gold;
Purple the sails, and so perfumed that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggared all description: she did lie
In her pavilion, cloth-of-gold of tissue,
O’erpicturing that Venus where we see
The fancy outwork nature. On each side her
Stood pretty dimpled boys, like smiling Cupids,
With divers-coloured fans, whose wind did seem
To glow the delicate cheeks which they did cool,
And what they undid did.
AGRIPPA.
O, rare for Antony!
ENOBARBUS.
Her gentlewomen, like the Nereides,
So many mermaids, tended her i’ th’ eyes,
And made their bends adornings. At the helm
A seeming mermaid steers. The silken tackle
Swell with the touches of those flower-soft hands
That yarely frame the office. From the barge
A strange invisible perfume hits the sense
Of the adjacent wharfs. The city cast
Her people out upon her, and Antony,
Enthroned i’ th’ market-place, did sit alone,
Whistling to th’ air, which, but for vacancy,
Had gone to gaze on Cleopatra too,
And made a gap in nature.
AGRIPPA.
Rare Egyptian!
ENOBARBUS.
Upon her landing, Antony sent to her,
Invited her to supper. She replied
It should be better he became her guest,
Which she entreated. Our courteous Antony,
Whom ne’er the word of “No” woman heard speak,
Being barbered ten times o’er, goes to the feast,
And, for his ordinary, pays his heart
For what his eyes eat only.
AGRIPPA.
Royal wench!
She made great Caesar lay his sword to bed.
He ploughed her, and she cropped.
ENOBARBUS.
I saw her once
Hop forty paces through the public street
And, having lost her breath, she spoke and panted,
That she did make defect perfection,
And, breathless, pour breath forth.
MAECENAS.
Now Antony must leave her utterly.
ENOBARBUS.
Never. He will not.
Age cannot wither her, nor custom stale
Her infinite variety. Other women cloy
The appetites they feed, but she makes hungry
Where most she satisfies. For vilest things
Become themselves in her, that the holy priests
Bless her when she is riggish.
MAECENAS.
If beauty, wisdom, modesty can settle
The heart of Antony, Octavia is
A blessed lottery to him.
AGRIPPA.
Let us go.
Good Enobarbus, make yourself my guest
Whilst you abide here.
ENOBARBUS.
Humbly, sir, I thank you.
[_Exeunt._]
SCENE III. Rome. A Room in Caesar’s House.
Enter Antony, Caesar, Octavia between them.
ANTONY.
The world and my great office will sometimes
Divide me from your bosom.
OCTAVIA.
All which time
Before the gods my knee shall bow my prayers
To them for you.
ANTONY.
Good night, sir.—My Octavia,
Read not my blemishes in the world’s report.
I have not kept my square, but that to come
Shall all be done by th’ rule. Good night, dear lady.
OCTAVIA.
Good night, sir.
CAESAR.
Good night.
Public-domain text, read in full here on John Shaqi.
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