The Complete Works of William ShakespeareShakespeare, William
General
The Complete Works of William Shakespeare
Shakespeare, William
English drama -- Early modern and Elizabethan, 1500-1600
CLEOPATRA.
Hie thee again.
I have spoke already, and it is provided.
Go put it to the haste.
CHARMIAN.
Madam, I will.
Enter Dolabella.
DOLABELLA.
Where’s the Queen?
CHARMIAN.
Behold, sir.
[_Exit._]
CLEOPATRA.
Dolabella!
DOLABELLA.
Madam, as thereto sworn by your command,
Which my love makes religion to obey,
I tell you this: Caesar through Syria
Intends his journey, and within three days
You with your children will he send before.
Make your best use of this. I have performed
Your pleasure and my promise.
CLEOPATRA.
Dolabella,
I shall remain your debtor.
DOLABELLA.
I your servant.
Adieu, good queen. I must attend on Caesar.
CLEOPATRA.
Farewell, and thanks.
[_Exit Dolabella._]
Now, Iras, what think’st thou?
Thou an Egyptian puppet shall be shown
In Rome as well as I. Mechanic slaves
With greasy aprons, rules, and hammers shall
Uplift us to the view. In their thick breaths,
Rank of gross diet, shall we be enclouded,
And forced to drink their vapour.
IRAS.
The gods forbid!
CLEOPATRA.
Nay, ’tis most certain, Iras. Saucy lictors
Will catch at us like strumpets, and scald rhymers
Ballad us out o’ tune. The quick comedians
Extemporally will stage us and present
Our Alexandrian revels; Antony
Shall be brought drunken forth, and I shall see
Some squeaking Cleopatra boy my greatness
I’ th’ posture of a whore.
IRAS.
O the good gods!
CLEOPATRA.
Nay, that’s certain.
IRAS.
I’ll never see’t, for I am sure mine nails
Are stronger than mine eyes.
CLEOPATRA.
Why, that’s the way
To fool their preparation and to conquer
Their most absurd intents.
Enter Charmian.
Now, Charmian!
Show me, my women, like a queen. Go fetch
My best attires. I am again for Cydnus
To meet Mark Antony. Sirrah, Iras, go.
Now, noble Charmian, we’ll dispatch indeed,
And when thou hast done this chare, I’ll give thee leave
To play till doomsday. Bring our crown and all.
[_Exit Iras. A noise within._]
Wherefore’s this noise?
Enter a Guardsman.
GUARDSMAN.
Here is a rural fellow
That will not be denied your highness’ presence.
He brings you figs.
CLEOPATRA.
Let him come in.
[_Exit Guardsman._]
What poor an instrument
May do a noble deed! He brings me liberty.
My resolution’s placed, and I have nothing
Of woman in me. Now from head to foot
I am marble-constant. Now the fleeting moon
No planet is of mine.
Enter Guardsman and Clown with a basket.
GUARDSMAN.
This is the man.
CLEOPATRA.
Avoid, and leave him.
[_Exit Guardsman._]
Hast thou the pretty worm of Nilus there
That kills and pains not?
CLOWN.
Truly, I have him, but I would not be the party that should desire you
to touch him, for his biting is immortal. Those that do die of it do
seldom or never recover.
CLEOPATRA.
Remember’st thou any that have died on’t?
Public-domain text, read in full here on John Shaqi.
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