The Complete Works of William ShakespeareShakespeare, William
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The Complete Works of William Shakespeare
Shakespeare, William
English drama -- Early modern and Elizabethan, 1500-1600
ROSALIND.
With lawyers in the vacation; for they sleep between term and term, and
then they perceive not how time moves.
ORLANDO.
Where dwell you, pretty youth?
ROSALIND.
With this shepherdess, my sister, here in the skirts of the forest,
like fringe upon a petticoat.
ORLANDO.
Are you native of this place?
ROSALIND.
As the coney that you see dwell where she is kindled.
ORLANDO.
Your accent is something finer than you could purchase in so removed a
dwelling.
ROSALIND.
I have been told so of many. But indeed an old religious uncle of mine
taught me to speak, who was in his youth an inland man, one that knew
courtship too well, for there he fell in love. I have heard him read
many lectures against it, and I thank God I am not a woman, to be
touched with so many giddy offences as he hath generally taxed their
whole sex withal.
ORLANDO.
Can you remember any of the principal evils that he laid to the charge
of women?
ROSALIND.
There were none principal. They were all like one another as halfpence
are, every one fault seeming monstrous till his fellow fault came to
match it.
ORLANDO.
I prithee recount some of them.
ROSALIND.
No. I will not cast away my physic but on those that are sick. There is
a man haunts the forest that abuses our young plants with carving
“Rosalind” on their barks; hangs odes upon hawthorns and elegies on
brambles; all, forsooth, deifying the name of Rosalind. If I could meet
that fancy-monger, I would give him some good counsel, for he seems to
have the quotidian of love upon him.
ORLANDO.
I am he that is so love-shaked. I pray you tell me your remedy.
ROSALIND.
There is none of my uncle’s marks upon you. He taught me how to know a
man in love, in which cage of rushes I am sure you are not prisoner.
ORLANDO.
What were his marks?
ROSALIND.
A lean cheek, which you have not; a blue eye and sunken, which you have
not; an unquestionable spirit, which you have not; a beard neglected,
which you have not—but I pardon you for that, for simply your having in
beard is a younger brother’s revenue. Then your hose should be
ungartered, your bonnet unbanded, your sleeve unbuttoned, your shoe
untied, and everything about you demonstrating a careless desolation.
But you are no such man. You are rather point-device in your
accoutrements, as loving yourself than seeming the lover of any other.
ORLANDO.
Fair youth, I would I could make thee believe I love.
ROSALIND.
Me believe it? You may as soon make her that you love believe it, which
I warrant she is apter to do than to confess she does. That is one of
the points in the which women still give the lie to their consciences.
But, in good sooth, are you he that hangs the verses on the trees,
wherein Rosalind is so admired?
ORLANDO.
I swear to thee, youth, by the white hand of Rosalind, I am that he,
that unfortunate he.
ROSALIND.
But are you so much in love as your rhymes speak?
ORLANDO.
Neither rhyme nor reason can express how much.
Public-domain text, read in full here on John Shaqi.
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