The Complete Works of William ShakespeareShakespeare, William
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The Complete Works of William Shakespeare
Shakespeare, William
English drama -- Early modern and Elizabethan, 1500-1600
That such a crafty devil as is his mother
Should yield the world this ass! A woman that
Bears all down with her brain; and this her son
Cannot take two from twenty, for his heart,
And leave eighteen. Alas, poor princess,
Thou divine Imogen, what thou endur’st,
Betwixt a father by thy step-dame govern’d,
A mother hourly coining plots, a wooer
More hateful than the foul expulsion is
Of thy dear husband, than that horrid act
Of the divorce he’d make! The heavens hold firm
The walls of thy dear honour, keep unshak’d
That temple, thy fair mind, that thou mayst stand
T’ enjoy thy banish’d lord and this great land!
[_Exit._]
SCENE II. Britain. Imogen’s bedchamber in Cymbeline’s palace; a trunk
in one corner.
Enter Imogen in her bed, and a Lady attending.
IMOGEN.
Who’s there? My woman Helen?
LADY.
Please you, madam.
IMOGEN.
What hour is it?
LADY.
Almost midnight, madam.
IMOGEN.
I have read three hours then. Mine eyes are weak;
Fold down the leaf where I have left. To bed.
Take not away the taper, leave it burning;
And if thou canst awake by four o’ th’ clock,
I prithee call me. Sleep hath seiz’d me wholly.
[_Exit Lady._]
To your protection I commend me, gods.
From fairies and the tempters of the night
Guard me, beseech ye!
[_Sleeps. Iachimo comes from the trunk._]
IACHIMO.
The crickets sing, and man’s o’er-labour’d sense
Repairs itself by rest. Our Tarquin thus
Did softly press the rushes ere he waken’d
The chastity he wounded. Cytherea,
How bravely thou becom’st thy bed! fresh lily,
And whiter than the sheets! That I might touch!
But kiss; one kiss! Rubies unparagon’d,
How dearly they do’t! ’Tis her breathing that
Perfumes the chamber thus. The flame o’ th’ taper
Bows toward her and would under-peep her lids
To see th’ enclosed lights, now canopied
Under these windows white and azure, lac’d
With blue of heaven’s own tinct. But my design
To note the chamber. I will write all down:
Such and such pictures; there the window; such
Th’ adornment of her bed; the arras, figures,
Why, such and such; and the contents o’ th’ story.
Ah, but some natural notes about her body
Above ten thousand meaner movables
Would testify, t’ enrich mine inventory.
O sleep, thou ape of death, lie dull upon her!
And be her sense but as a monument,
Thus in a chapel lying! Come off, come off;
[_Taking off her bracelet._]
Public-domain text, read in full here on John Shaqi.
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