PISANIO. What shall I need to draw my sword? The paper Hath cut her throat already. No, ’tis slander, Whose edge is sharper than the sword, whose tongue Outvenoms all the worms of Nile, whose breath Rides on the posting winds and doth belie All corners of the world. Kings, queens, and states, Maids, matrons, nay, the secrets of the grave, This viperous slander enters. What cheer, madam? IMOGEN. False to his bed? What is it to be false? To lie in watch there, and to think on him? To weep twixt clock and clock? If sleep charge nature, To break it with a fearful dream of him, And cry myself awake? That’s false to’s bed, Is it? PISANIO. Alas, good lady! IMOGEN. I false! Thy conscience witness! Iachimo, Thou didst accuse him of incontinency; Thou then look’dst like a villain; now, methinks, Thy favour’s good enough. Some jay of Italy, Whose mother was her painting, hath betray’d him. Poor I am stale, a garment out of fashion, And for I am richer than to hang by th’ walls I must be ripp’d. To pieces with me! O, Men’s vows are women’s traitors! All good seeming, By thy revolt, O husband, shall be thought Put on for villainy; not born where’t grows, But worn a bait for ladies. PISANIO. Good madam, hear me. IMOGEN. True honest men being heard, like false Æneas, Were, in his time, thought false; and Sinon’s weeping Did scandal many a holy tear, took pity From most true wretchedness. So thou, Posthumus, Wilt lay the leaven on all proper men: Goodly and gallant shall be false and perjur’d From thy great fail. Come, fellow, be thou honest; Do thou thy master’s bidding; when thou seest him, A little witness my obedience. Look! I draw the sword myself; take it, and hit The innocent mansion of my love, my heart. Fear not; ’tis empty of all things but grief; Thy master is not there, who was indeed The riches of it. Do his bidding; strike. Thou mayst be valiant in a better cause, But now thou seem’st a coward. PISANIO. Hence, vile instrument! Thou shalt not damn my hand.