The Complete Works of William ShakespeareShakespeare, William
General
The Complete Works of William Shakespeare
Shakespeare, William
English drama -- Early modern and Elizabethan, 1500-1600
ACT V
Scene I.
Caesar’s Camp before Alexandria.
Scene II.
Alexandria. A Room in the Monument.
Dramatis Personæ
MARK ANTONY, Triumvir
OCTAVIUS CAESAR, Triumvir
LEPIDUS, Triumvir
SEXTUS POMPEIUS,
DOMITIUS ENOBARBUS, friend to Antony
VENTIDIUS, friend to Antony
EROS, friend to Antony
SCARUS, friend to Antony
DERCETUS, friend to Antony
DEMETRIUS, friend to Antony
PHILO, friend to Antony
MAECENAS, friend to Caesar
AGRIPPA, friend to Caesar
DOLABELLA, friend to Caesar
PROCULEIUS, friend to Caesar
THIDIAS, friend to Caesar
GALLUS, friend to Caesar
MENAS, friend to Pompey
MENECRATES, friend to Pompey
VARRIUS, friend to Pompey
TAURUS, Lieutenant-General to Caesar
CANIDIUS, Lieutenant-General to Antony
SILIUS, an Officer in Ventidius’s army
EUPHRONIUS, an Ambassador from Antony to Caesar
ALEXAS, attendant on Cleopatra
MARDIAN, attendant on Cleopatra
SELEUCUS, attendant on Cleopatra
DIOMEDES, attendant on Cleopatra
A SOOTHSAYER
A CLOWN
CLEOPATRA, Queen of Egypt
OCTAVIA, sister to Caesar and wife to Antony
CHARMIAN, Attendant on Cleopatra
IRAS, Attendant on Cleopatra
Officers, Soldiers, Messengers, and other Attendants
SCENE: Dispersed, in several parts of the Roman Empire.
ACT I
SCENE I. Alexandria. A Room in Cleopatra’s palace.
Enter Demetrius and Philo.
PHILO.
Nay, but this dotage of our general’s
O’erflows the measure. Those his goodly eyes,
That o’er the files and musters of the war
Have glowed like plated Mars, now bend, now turn
The office and devotion of their view
Upon a tawny front. His captain’s heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper
And is become the bellows and the fan
To cool a gipsy’s lust.
Flourish. Enter Antony and Cleopatra, her Ladies, the Train, with
Eunuchs fanning her.
Look where they come:
Take but good note, and you shall see in him
The triple pillar of the world transform’d
Into a strumpet’s fool. Behold and see.
CLEOPATRA.
If it be love indeed, tell me how much.
ANTONY.
There’s beggary in the love that can be reckoned.
CLEOPATRA.
I’ll set a bourn how far to be beloved.
ANTONY.
Then must thou needs find out new heaven, new earth.
Enter a Messenger.
MESSENGER.
News, my good lord, from Rome.
ANTONY.
Grates me, the sum.
CLEOPATRA.
Nay, hear them, Antony.
Fulvia perchance is angry; or who knows
If the scarce-bearded Caesar have not sent
His powerful mandate to you: “Do this or this;
Take in that kingdom and enfranchise that.
Perform’t, or else we damn thee.”
ANTONY.
How, my love?
CLEOPATRA.
Perchance! Nay, and most like.
You must not stay here longer; your dismission
Is come from Caesar; therefore hear it, Antony.
Where’s Fulvia’s process?—Caesar’s I would say? Both?
Call in the messengers. As I am Egypt’s queen,
Thou blushest, Antony, and that blood of thine
Is Caesar’s homager; else so thy cheek pays shame
When shrill-tongued Fulvia scolds. The messengers!
Public-domain text, read in full here on John Shaqi.
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